Archive · Full Catalogue
माखनलाल चतुर्वेदी
Makhanlal Chaturvedi
Every composition by this voice held in the archive, laid out in full and grouped by the rasa it carries.
- 58
- Compositions
- 7
- Rasas
शृंगार
Shringara
The rasa of nearness and its long shadow. Not only the meeting, also the waiting that precedes it, the doorway watched all evening, the way a room rearranges itself around one absent person.
21 compositions
- 01मचल मत, दूर-दूर, ओ मानीMachal Mat, Door-Door, O Maani9 versesRead →
- 02झूला झूलै रीJhula Jhulai Ri1 verseRead →
- 03वरदान या अभिशाप?Vardan Ya Abhishap4 versesRead →
- 04मैं अपने से डरती हूँ सखिMain Apne Se Darti Hoon Sakhi7 versesRead →
- 05नयी-नयी कोपलेंNayi-Nayi Kopalen6 versesRead →
- 06चलो छिया-छी हो अन्तर मेंChalo Chhiya-Chhi Ho Antar Mein16 versesRead →
- 07तुम्हारा चित्रTumhara Chitra3 versesRead →
- 08ऊषा के सँग, पहिन अरुणिमाUsha Ke Sang Pahin Arunima9 versesRead →
- 09साँस के प्रश्नचिन्हों, लिखी स्वर-कथाSaans Ke Prashnachinhon, Likhi Svara-Katha7 versesRead →
- 10यौवन का पागलपनYauvan Ka Pagalpan2 versesRead →
- 11आज नयन के बँगले मेंAaj Nayan Ke Bangle Mein4 versesRead →
- 12बसंत मनमानाBasant Manmana3 versesRead →
- 13मधुर! बादल, और बादल, और बादलMadhur! Badal, Aur Badal, Aur Badal5 versesRead →
- 14कुंज कुटीरे यमुना तीरेKunj Kutire Yamuna Teere15 versesRead →
- 15तुम मिलेTum Mile6 versesRead →
- 16वायुVayu3 versesRead →
- 17तुम मन्द चलोTum Mand Chalo8 versesRead →
- 18वर्षा ने आज विदाई लीVarsha Ne Aaj Vidai Li10 versesRead →
- 19बदरिया थम-थमकर झर री !Badariya Tham-Thamkar Jhar Ree!4 versesRead →
- 20बोल तो किसके लिए मैंBol To Kisake Liye Main6 versesRead →
- 21उस प्रभात, तू बात न मानेUs Prabhat, Tu Baat Na Mane11 versesRead →
वीर
Veera
The rasa of the step taken anyway. Courage in this key is unglamorous and precise: the vow spoken before the odds are counted, the standing that costs something and is done quietly.
16 compositions
- 01दीप से दीप जलेDeep Se Deep Jale6 versesRead →
- 02ये अनाज की पूलें तेरे काँधें झूलेंYe Anaaj Ki Poolen Tere Kaandhen Jhoolen1 verseRead →
- 03एक तुम होEk Tum Ho4 versesRead →
- 04तान की मरोरTana Ki Maror10 versesRead →
- 05अमर राष्ट्रAmar Rashtra18 versesRead →
- 06जवानीJavani17 versesRead →
- 07प्यारे भारत देशPyare Bharat Desh9 versesRead →
- 08गिरि पर चढ़ते, धीरे-धीरGiri Par Chadhte, Dheere-Dheere15 versesRead →
- 09घर मेरा है?Ghar Mera Hai?5 versesRead →
- 10पुष्प की अभिलाषाPushpa Ki Abhilasha1 verseRead →
- 11उठ महानUth Mahan6 versesRead →
- 12वेणु लो, गूँजे धराVenu Lo, Goonje Dhara12 versesRead →
- 13सिपाहीSipahi6 versesRead →
- 14समय के समर्थ अश्वSamay Ke Samarth Ashva4 versesRead →
- 15बलि-पन्थी सेBali-Panthi Se3 versesRead →
- 16कैदी और कोकिलाKaidi Aur Kokila19 versesRead →
शान्त
Shanta
The rasa that arrives after the others have spoken. Not emptiness but settlement, the water clear because it has stopped being stirred, wanting nothing further from the hour.
8 compositions
- 01संध्या के बस दो बोल सुहाने लगते हैंSandhya Ke Bas Do Bol Suhane Lagate Hain9 versesRead →
- 02जाड़े की साँझJade Ki Sanjh4 versesRead →
- 03यह अमर निशानी किसकी है?Yeh Amar Nishani Kiski Hai?7 versesRead →
- 04जीवन, यह मौलिक महमानीJeevan, Yeh Maulik Mehmanee8 versesRead →
- 05अंजलि के फूल गिरे जाते हैंAnjali Ke Phool Gire Jaate Hain5 versesRead →
- 06इस तरह ढक्कन लगाया रात नेIs Tarah Dhakkan Lagaya Raat Ne6 versesRead →
- 07मधुर-मधुर कुछ गा दो मालिकMadhur Madhur Kuch Ga Do Malik5 versesRead →
- 08कैसी है पहिचान तुम्हारीKaisi Hai Pahichan Tumhari7 versesRead →
करुणा
Karuna
The rasa of grief kept in good order. Not wailing, the quieter labour after: setting the cup back on its shelf, folding what will not be worn again, learning the exact weight of a name.
6 compositions
अद्भुत
Adbhuta
The rasa of the widened eye. Scale undoes us gently here: the world proves larger than the sentence built for it, and the poem's finest achievement is to stay astonished.
4 compositions
हास्य
Hasya
The rasa of the tilted glance. Comedy here is not decoration but diagnosis, the poet lets the world overhear itself, and the pretension collapses of its own weight.
2 compositions
रौद्र
Raudra
The rasa of the refusal that will not soften. Fury here has grammar and aim, the wound that learned to speak, the injustice that declines to be reasonable about itself.
1 composition






























































































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