№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

Canvas
Krishna and Arjuna on the Chariot

Veera

तान की मरोर

Tana Ki Maror

Makhanlal Chaturvedi
2 min read 10 versesतानmelodyज्ञान

10 verses · ~2 min

तू न तान की मरोर देख, एक साथ चल, तू न ज्ञान-गर्व-मत्त-- शोर, देख साथ चल।

सूझ की हिलोर की हिलोरबाज़ियाँ न खोज, तू न ध्येय की धरा-- गुंजा, न तू जगा मनोज।

तू न कर घमंड, अग्नि, जल, पवन, अनंग संग भूमि आसमान का चढ़े न अर्थ-हीन रंग।

बात वह नहीं मनुष्य देवता बना फिरे, था कि राग-रंगियों-- घिरा, बना-ठना फिरे।

बात वह नहीं कि-- बात का निचोड़ वेद हो, बात वह नहीं कि- बात में हज़ार भेद हो।

स्वर्ग की तलाश में न भूमि-लोक भूल देख, खींच रक्त-बिंदुओं-- भरी, हज़ार स्वर्ण-रेख।

बुद्धि यन्त्र है, चला; न बुद्धि का गुलाम हो। सूझ अश्व है, चढ़े-- चलो, कभी न शाम हो।

शीश की लहर उठे-- फसल कि, एक शीश दे। पीढ़ियाँ बरस उठें हज़ार शीश शीश ले।

भारतीय नीलिमा जगे कि टूट-टूट बंद स्वप्न सत्य हों, बहार-- गा उठे अमंद छन्द।

रचनाकाल: सत्यनारायण कुटीर, प्रयाग--१९४८

इति

Makhanlal Chaturvedi

The Poet

माखनलाल चतुर्वेदी

Makhanlal Chaturvedi

1889 · 1968

There is a poem that lives at the absolute center of the Indian literary imagination of sacrifice a poem in which a flower, offered for worship, instead asks to be pressed into the wreath of a martyr, to fall upon a brave man's chest as he marches into the cannon's mouth. That poem is Pushp Ki Abhilasha The Flower's Longing and its author, Makhanlal Chaturvedi, composed it with the hand of a man who had already offered himself in exactly the same spirit. He was imprisoned multiple times by British colonial authorities for his journalism and his poetry. He was the editor of Prabha, one of the luminous literary political journals of the independence era. He was awarded the Sahitya Akademi's very first prize in 1955, and the Padma Bhushan followed. But what no institutional recognition can fully capture is the texture of his moral life the extraordinary combination of burning patriotic fire and absolute personal humility, a man who wrote about martyrdom while quietly being available for it himself. Born in Babai in 1889, he lived to see the independence he had helped dream into existence, and then he wrote on for two decades more, finding in a free India new obligations for the literary conscience. He is the poet of pure sacrifice not sacrifice celebrated from a distance, but sacrifice inhabited, practiced, and offered without expectation of return.

Krishna and Arjuna on the Chariot

Paired Painting

Krishna and Arjuna on the Chariot

This breathtaking artwork captures one of the most sacred moments in spiritual history, set upon the windswept plains of Kurukshetra. Lord Krishna, holding the reins of destiny as the divine charioteer, guides Arjuna into the monumental battle of righteousness. Every detail, from the gleaming golden chariot adorned with celestial motifs to the powerful white steeds kicking up dust, evokes the profound atmosphere of the Bhagavad Gita. The artist dedicated twelve years of deep study to the Mahabharata, translating ancient Sanskrit verses into a vivid, reverent visual language that speaks across cultures.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Tana Ki Maror carries.