Archive · Full Catalogue
दिविक रमेश
Divik Ramesh
Every composition by this voice held in the archive, laid out in full and grouped by the rasa it carries.
- 55
- Compositions
- 7
- Rasas
शान्त
Shanta
The rasa that arrives after the others have spoken. Not emptiness but settlement, the water clear because it has stopped being stirred, wanting nothing further from the hour.
23 compositions
- 01रहस्य अपना भी खुलता हैRahasya Apna Bhi Khulta Hai12 versesRead →
- 02माँ गाँव में हैMaa Gaon Mein Hai8 versesRead →
- 03उम्मीदUmeed7 versesRead →
- 04पुस्तकPustak6 versesRead →
- 05ख़ौफ के बाहरKhauf Ke Bahar2 versesRead →
- 06ख़ुशीKhushi8 versesRead →
- 07यादव जी !Yadav Ji2 versesRead →
- 08शमशेर की कविताShamsher Ki Kavita6 versesRead →
- 09पूरा आदमीPura Aadmi2 versesRead →
- 10एक बची हुई खुशीEk Bachi Hui Khushi3 versesRead →
- 11सुरतालSurtaal3 versesRead →
- 12हमारा कबूतरHamara Kabutar4 versesRead →
- 13नहरNahar2 versesRead →
- 14वह क़िस्सा ही क्या जो चलता नहीं रहेVah Qissa Hi Kya Jo Chalta Nahin Rahe18 versesRead →
- 15बहुत कुछ है अभीBahut Kuch Hai Abhi7 versesRead →
- 16पँखPankh7 versesRead →
- 17उत्तर कबीरUttar Kabir2 versesRead →
- 18नहीं जानते कैसेNahin Janante Kaise6 versesRead →
- 19किसने कहा होगा?Kisne Kaha Hoga10 versesRead →
- 20जीवनJeevan7 versesRead →
- 21सुनहरी पृथ्वीSunahri Prithvi2 versesRead →
- 22सम्बन्धSambandh9 versesRead →
- 23नहीं हैं अभी अनशन पर खुशियाँNahin Hain Abhi Anshan Par Khushiyan7 versesRead →
करुणा
Karuna
The rasa of grief kept in good order. Not wailing, the quieter labour after: setting the cup back on its shelf, folding what will not be worn again, learning the exact weight of a name.
16 compositions
- 01याद आई पृथ्वीYaad Aai Prithvi10 versesRead →
- 02औरतAurat5 versesRead →
- 03हाक़िम हैंHaqim Hain6 versesRead →
- 04मैंने कहा - हाँMaine Kaha - Haan6 versesRead →
- 05तू तो है न मेरे पासTu To Hai Na Mere Paas8 versesRead →
- 06अदृश्य होते हुएAdrishya Hote Hue15 versesRead →
- 07माँ के पँख नहीं होतेMan Ke Pankh Nahin Hote9 versesRead →
- 08रात में भीRaat Mein Bhi6 versesRead →
- 09सलमा चाचीSalma Chachi9 versesRead →
- 10सबकSabak18 versesRead →
- 11शर्म आती है कि...Sharm Aati Hai Ki11 versesRead →
- 12बेटी ब्याही गई हैBeti Byahi Gayi Hai16 versesRead →
- 13एक अनन्त कथाEk Anant Katha13 versesRead →
- 14मैं कोई फ़रिश्ता तो नहीं थाMain Koi Farishta To Nahin Tha7 versesRead →
- 15आवाज़ आग भी तो हो सकती हैAwaaz Aag Bhi To Ho Sakti Hai7 versesRead →
- 16उनका दर्द मेरी ज़ुबानUnka Dard Meri Zuban13 versesRead →
हास्य
Hasya
The rasa of the tilted glance. Comedy here is not decoration but diagnosis, the poet lets the world overhear itself, and the pretension collapses of its own weight.
8 compositions
- 01झटपट खाओJhatpat Khao1 verseRead →
- 02चलो सुनाओ नयी कहानीChalo Sunao Nayi Kahani6 versesRead →
- 03हैरान थी हिन्दीHairan Thi Hindi15 versesRead →
- 04पत्नी तो नहीं हैं न हम आपकीPatni To Nahin Hain Na Hum Aapki8 versesRead →
- 05अपने अपने डेरेApne Apne Dere22 versesRead →
- 06कुछ काम था क्या आपकोKuch Kaam Tha Kya Aapko6 versesRead →
- 07देखिए, मुझे कोई मुगालता नहीं हैDekhiye, Mujhe Koi Mugalta Nahin Hai8 versesRead →
- 08दाँतDant9 versesRead →
वीर
Veera
The rasa of the step taken anyway. Courage in this key is unglamorous and precise: the vow spoken before the odds are counted, the standing that costs something and is done quietly.
4 compositions
रौद्र
Raudra
The rasa of the refusal that will not soften. Fury here has grammar and aim, the wound that learned to speak, the injustice that declines to be reasonable about itself.
2 compositions
शृंगार
Shringara
The rasa of nearness and its long shadow. Not only the meeting, also the waiting that precedes it, the doorway watched all evening, the way a room rearranges itself around one absent person.
1 composition
भयानक
Bhayanaka
The rasa of the held breath. Terror is mostly anticipation, the corridor before the corridor, the sound that has not repeated yet, the mind furnishing the dark with its own inventory.
1 composition
















































































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