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The Pandavas arrive in Hastinapur

ShantaIntermediate

ख़ौफ के बाहर

Khauf Ke Bahar

Divik Ramesh
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2 verses · ~1 min

मैं चौंका जब कहा उसने कि जब भी चाहा घर लौटना लगता रहा ख़ौफ गो कि हर्ज़ न था लौटने में सोचता हूँ लौटना तो चाहिए ही घर जबकि रहना पड़ रहा हो कहीं घर लौटने ही की तरह

लौटना घर दरअसल होता है लौटना ख़ुद अपने में । घर जब तक रहता है घर कभी ख़त्म नहीं होती उसकी द्वार-आँखों की बेचैन उत्सुकताएँ उसके आँगन-हृदय की मचलती प्रतीक्षाएँ

इति

Divik Ramesh

The Poet

दिविक रमेश

Divik Ramesh

1946 · 1980s

Divik Ramesh occupies a highly respected position in Hindi literature as a writer who treats both adult and children's poetry with equal intellectual rigor. Born Ramesh Chand Sharma in 1946 in Delhi, he dedicated his career to teaching while simultaneously building a vast and diverse body of literary work. He writes with a profound awareness of social inequalities and the quiet anxieties of modern urban life. His poetry collections, such as Khuli Aankhon Mein Aakash and Raste Ke Beech, are marked by a straightforward honesty that refuses to hide behind complex metaphors. Beyond his poetry for adults, he has made an immense contribution to children's literature, a field often overlooked by serious writers. Recognizing this lifelong dedication, he was awarded the Sahitya Akademi Bal Sahitya Puraskar in 2018. He has also translated extensively, building cultural bridges between Indian and South Korean literature. He is a writer who believes that literature must remain accessible, compassionate, and deeply rooted in human empathy.

The Pandavas arrive in Hastinapur

Paired Painting

The Pandavas arrive in Hastinapur

This profound composition captures the pivotal moment when the young Pandava brothers, accompanied by their mother Kunti and Draupadi, arrive at the majestic gates of Hastinapur. The atmosphere is heavy with destiny, as the royal family steps into a city that is simultaneously their birthright and the site of their future trials. The artist masterfully portrays the quiet dignity of the five brothers, standing in contrast to the opulent, yet foreboding, architecture of the Kuru capital. It is a moment of immense vulnerability and grace, marking the threshold where the fate of the Bharata lineage begins to unfold toward the inevitable events of the Mahabharata.

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