Archive · Full Catalogue
अशोक अंजुम
Ashok Anjum
Every composition by this voice held in the archive, laid out in full and grouped by the rasa it carries.
- 22
- Compositions
- 6
- Rasas
करुणा
Karuna
The rasa of grief kept in good order. Not wailing, the quieter labour after: setting the cup back on its shelf, folding what will not be worn again, learning the exact weight of a name.
9 compositions
- 01सयानी बिटियाSayani Bitiya8 versesRead →
- 02गोली की मेहरबानीGoli Ki Meharbani6 versesRead →
- 03प्रेम की, सचाई की, बोलियाँ ही गायब हैंPrem Ki, Sachai Ki, Boliyan Hi Gayab Hain7 versesRead →
- 04आँसूAansu6 versesRead →
- 05सभी रिश्तों से औ’ दीवारो दर से दूर रखता हैSabhi Rishton Se Au Deewaro Dar Se Door Rakhta Hai6 versesRead →
- 06हर लेती हैं बेटियाँHar Leti Hain Betiyan13 versesRead →
- 07द्वार पर साँकल लगाकर सो गएDwar Par Sankal Lagakar So Gaye9 versesRead →
- 08वक़्त जीवन में ऐसा न आये कभीWaqt Jeevan Mein Aisa Na Aaye Kabhi4 versesRead →
- 09दुनिया को नई राह दिखने के वास्तेDuniya Ko Nai Raah Dikhane Ke Vaste5 versesRead →
वीर
Veera
The rasa of the step taken anyway. Courage in this key is unglamorous and precise: the vow spoken before the odds are counted, the standing that costs something and is done quietly.
4 compositions
- 01खिड़कियों की साजिशों सेKhidkiyon Ki Sajishon Se3 versesRead →
- 02करे कोशिश अगर इंसान तो क्या क्या नहीं मिलताKare Koshish Agar Insan To Kya Kya Nahi Milta5 versesRead →
- 03हौसला भी उड़ान देता हैHausla Bhi Udaan Deta Hai6 versesRead →
- 04करे कोशिश अगर इन्सान तो क्या-क्या नहीं मिलताKare Koshish Agar Insan To Kya Kya Nahin Milta5 versesRead →
शृंगार
Shringara
The rasa of nearness and its long shadow. Not only the meeting, also the waiting that precedes it, the doorway watched all evening, the way a room rearranges itself around one absent person.
3 compositions
शान्त
Shanta
The rasa that arrives after the others have spoken. Not emptiness but settlement, the water clear because it has stopped being stirred, wanting nothing further from the hour.
3 compositions
हास्य
Hasya
The rasa of the tilted glance. Comedy here is not decoration but diagnosis, the poet lets the world overhear itself, and the pretension collapses of its own weight.
2 compositions
रौद्र
Raudra
The rasa of the refusal that will not soften. Fury here has grammar and aim, the wound that learned to speak, the injustice that declines to be reasonable about itself.
1 composition








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