
3 verses · ~1 min
खिड़कियों की साजिशों से कुछ हवा की ढील से झोपड़ी जल ही न जाए देखना कन्दील से
एक छोटा ही सही पर घाव देकर मर गई यूँ वो चिड़िया अन्त तक लड़ती रही उस चील से
तू कचहरी की तरफ चल तो दिया पर सोच ले फाँस गर निकली तेरी निकलेगी प्यारे कील से
इति
The Poet
अशोक अंजुम
Ashok Anjum
1961 · 2000s
Ashok Anjum holds a highly respected place in modern Hindi literature as a devoted guardian of lyrical traditions. Born in 1958 in Aligarh, he dedicated his creative life to enriching the Navgeet, Doha, and Ghazal forms. At a time when contemporary poetry heavily favored free verse, Anjum insisted on the necessity of rhythm and classical structure. He writes with profound sensitivity about changing human values, rural displacement, and the moral decay of modern society. Beyond his own poetic output, he has been a prominent editor and a guiding force in reviving the literary prestige of the Aligarh region. His verses carry the quiet dignity of a man who observes the world deeply, using gentle melodies to deliver razor sharp social critique.

Paired Painting
The Battle of Pratapgad
This scene captures the heart-pounding tension at the foot of Pratapgad fort, where Chhatrapati Shivaji Maharaj met the towering Bijapur general, Afzal Khan. It is far more than a mere tactical victory: it is a story of a leader’s profound love for his land and his people, standing tall against seemingly impossible odds. The image brings to life the split second of a desperate, treacherous embrace, where Shivaji Maharaj used the tiger claw (wagh nakh) to protect the dream of a free kingdom. It remains a deeply moving symbol of bravery and the enduring spirit of resistance that continues to beat in the hearts of millions today.
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