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सबको तुम अच्छा कहते हो, कानो को प्रियकर लगता है
Sabko Tum Achha Kahte Ho, Kano Ko Priyakar Lagta Hai
Amitabh Tripathi ‘Amit’5 verses · ~1 min
सबको तुम अच्छा कहते हो, कानो को प्रियकर लगता है अच्छे हो तुम किन्तु तुम्हारी अच्छाई से डर लगता है।
सुन्दर स्निग्ध सुनहरे मुख पर पाटल से अधरों के नीचे वह काला सा बिन्दु काम का जैसे हस्ताक्षर लगता है।
स्थितियाँ परिभाषित करती हैं मानव के सारे गुण-अवगुण मकर राशि का मन्द सूर्य ही वृष में बहुत प्रखर लगता है।
ज्ञानी विज्ञानी महान विद्वज्जन जिसमें कवि अनुरागी वाणी के उस राजमहल में कभी-कभी अवसर लगता है।
विरह तप्त व्याकुल अन्तर को जब हो प्रियतम-मिलन-प्रतीक्षा, हर कम्पन सन्देश प्रेम का हर पतंग मधुकर लगता है।
इति
The Poet
अमिताभ त्रिपाठी 'अमित'
Amitabh Tripathi ‘Amit’
Amitabh Tripathi 'Amit' belongs to a rare class of contemporary Hindi poets who write to hold up an unflinching mirror to society. His verse is stripped of complex academic jargon and strikes directly at the center of modern Indian realities. In works like his celebrated poem "Bas Itna Sa Samachar Hai" (This is All the News There Is), Tripathi captures the everyday ironies, widespread corruption, and moral compromises of the present age with devastating precision. He dismantles hollow idealism and gives a powerful voice to the common man navigating a broken system. To read Amitabh Tripathi is to be awakened from civic slumber. His poems are not merely complaints; they are urgent pleas for a return to collective conscience and integrity.
Paired Painting
Damayanti and the Swan
This transcendent masterpiece brings to life a timeless episode from the Mahabharata, where Princess Damayanti listens in breathless wonder as a golden swan sings the praises of Nala. Raja Ravi Varma captures the tender flutter of first love and quiet longing, setting the scene within a palatial garden bathed in soft, ethereal light. Damayanti stands draped in a resplendent crimson saree, her posture a delicate blend of shyness and profound curiosity as she gazes upon the celestial messenger. Through this work, the artist bridged classical Indian mythology with European academic realism, creating a visual vocabulary that shaped the soul of modern Indian art and immortalized the poetic grace of ancient lore.
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