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Shantanu and Ganga

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प्रीति अगर अवसर देती तो हमनें भाग्य संवारा होता

Priti Agar Avasar Deti To Hamane Bhagya Sanvara Hota

Amitabh Tripathi ‘Amit’
1 min read 4 versesLoveDestinyRiver

4 verses · ~1 min

प्रीति अगर अवसर देती तो हमनें भाग्य संवारा होता। कमल दलों का मोह न करते आज प्रभात हमारा होता।

नीर क्षीर दोनों मिल बैठे बहुत कठिन पहचान हो गई, किन्तु नीर नें नाम खो दिया और क्षीर की शान खो गई, काश! कभी प्रेमी हृदयों को विधि नें दिया सहारा होता। प्रीति अगर ... ...

सिन्धु मिलन के लिये नदी नें क्या-क्या बाधायें तोड़ी थीं, जलधि अंक में मिल जानें की क्या-क्या आशायें जोड़ी थीं, नदी सिन्धु से प्रीति न करती क्यों उसका जल खारा होता। प्रीति अगर ... ...

अनजानें अनुबन्ध हो गये, होने लगे पराये अपनें, श्यामाम्बर पर रजत कल्पना खींचा करती निशिदिन सपने, मीत तुम्हें जाना ही था तो पहले किया इशारा होता। प्रीति अगर ... ...

इति

Amitabh Tripathi ‘Amit’

The Poet

अमिताभ त्रिपाठी 'अमित'

Amitabh Tripathi ‘Amit’

Amitabh Tripathi 'Amit' belongs to a rare class of contemporary Hindi poets who write to hold up an unflinching mirror to society. His verse is stripped of complex academic jargon and strikes directly at the center of modern Indian realities. In works like his celebrated poem "Bas Itna Sa Samachar Hai" (This is All the News There Is), Tripathi captures the everyday ironies, widespread corruption, and moral compromises of the present age with devastating precision. He dismantles hollow idealism and gives a powerful voice to the common man navigating a broken system. To read Amitabh Tripathi is to be awakened from civic slumber. His poems are not merely complaints; they are urgent pleas for a return to collective conscience and integrity.

Shantanu and Ganga

Paired Painting

Shantanu and Ganga

This poignant scene depicts a heartrending moment from the Mahabharata, where the celestial river goddess Ganga returns to her divine origin. Bound by a vow to return her children to the waters to liberate them from a curse, she is captured in the act of casting their final child into the river. King Shantanu, her earthly husband, stands in the distance with his arm outstretched in a desperate, futile gesture of pleading. The artist captures the divine serenity of Ganga, whose face remains untroubled by human morality, contrasting sharply with the tragic anguish of the mortal King who realizes he has lost the heavenly being he once cherished.

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