5 verses · ~1 min
तुम मुझमें प्रिय, फिर परिचय क्या!
तारक में छवि, प्राणों में स्मृति पलकों में नीरव पद की गति लघु उर में पुलकों की संस्कृति भर लाई हूँ तेरी चंचल और करूँ जग में संचय क्या?
तेरा मुख सहास अरूणोदय परछाई रजनी विषादमय वह जागृति वह नींद स्वप्नमय, खेल-खेल, थक-थक सोने दे मैं समझूँगी सृष्टि प्रलय क्या?
तेरा अधर विचुंबित प्याला तेरी ही विस्मत मिश्रित हाला तेरा ही मानस मधुशाला फिर पूछूँ क्या मेरे साकी देते हो मधुमय विषमय क्या?
चित्रित तू मैं हूँ रेखा क्रम, मधुर राग तू मैं स्वर संगम तू असीम मैं सीमा का भ्रम काया-छाया में रहस्यमय प्रेयसी प्रियतम का अभिनय क्या?
इति
The Poet
महादेवी वर्मा
Mahadevi Varma
1907 · 1987
Mahadevi Varma stands as the absolute pinnacle of lyrical mysticism in modern Hindi literature. Born in 1907 in Farrukhabad, she was a central pillar of the Chhayavaad romantic movement and is universally revered as the modern Meera for the intense spiritual devotion embedded in her verse. She lived a life of fierce intellectual independence. As the principal of the Prayag Mahila Vidyapeeth, she revolutionized women's education in India, while her literary salon in Allahabad became the epicenter of Hindi letters. Her poetic masterworks, including Yama, Nihar, and Rashmi, are profound meditations on sorrow, the eternal soul, and the quiet strength of the natural world. She did not merely write about pain. She transformed it into a vehicle for spiritual liberation. Honored with the Jnanpith Award in 1982 and the Padma Vibhushan, she passed away in 1987. She remains an immortal figure whose words continue to offer solace to anyone who has ever felt the ache of existential longing.
Paired Painting
The Saki
This exquisite oil painting is the work of Mahadev Vishwanath Dhurandhar, a legendary figure of the Bombay School who served as the first Indian director of the Sir J.J. School of Art. While some automated search results mistakenly identify this subject as Turkish, the artist's unmistakable signature and the specific cultural markers, such as the bindi and the style of the jewelry, confirm its Indian origin. The subject is the Saki, the wine bearer, a figure of great romantic and spiritual significance in Indian and Persian literature. Dhurandhar captures her in a moment of absolute stillness: the world seems to quieten as the liquid flows from the dark earthen vessel into the glass. The artist uses a palette of warm, grounded tones to highlight the luminosity of her garment, creating a contrast that feels both earthy and ethereal. It is a tribute to the dignity of the female form and the poetic beauty found in simple, everyday gestures.
Open the viewer →