8 verses · ~2 min
जन भारत हे! भारत हे!
स्वर्ग स्तंभवत् गौरव मस्तक उन्नत हिमवत् हे, जन भारत हे, जाग्रत् भारत हे!
गगन चुंबि विजयी तिरंग ध्वज इंद्रचापमत् हे, कोटि कोटि हम श्रम जीवी सुत संभ्रम युत नत हे, सर्व एक मत, एक ध्येय रत, सर्व श्रेय व्रत हे, जन भारत हे, जाग्रत् भारत हे!
समुच्चरित शत शत कंठो से जन युग स्वागत हे, सिन्धु तरंगित, मलय श्वसित, गंगाजल ऊर्मि निरत हे, शरद इंदु स्मित अभिनंदन हित, प्रतिध्वनित पर्वत हे, स्वागत हे, स्वागत हे, जन भारत हे, जाग्रत् भारत हे!
स्वर्ग खंड षड ऋतु परिक्रमित, आम्र मंजरित, मधुप गुंजरित, कुसुमित फल द्रुम पिक कल कूजित उर्वर, अभिमत हे, दश दिशि हरित शस्य श्री हर्षित पुलक राशिवत् हे, जन भारत हे, जाग्रत् भारत हे!
जाति धर्म मत, वर्ग श्रेणि शत, नीति रीति गत हे मानवता में सकल समागत जन मन परिणत हे, अहिंसास्त्र जन का मनुजोचित चिर अप्रतिहत हे, बल के विमुख, सत्य के सन्मुख हम श्रद्धानत हे, जन भारत हे, जाग्रत् भारत हे!
किरण केलि रत रक्त विजय ध्वज युग प्रभातमत् हे, कीर्ति स्तंभवत् उन्नत मस्तक प्रहरी हिमवत् हे, पद तल छू शत फेनिलोर्मि फन शेषोदधि नत हे, वर्ग मुक्त हम श्रमिक कृषिक जन चिर शरणागत हे, जन भारत हे, जाग्रत् भारत हे!
रचनाकाल: जनवरी’ ४०
इति
The Poet
सुमित्रानंदन पंत
Sumitranandan Pant
1900 · 1977
Sumitranandan Pant was the absolute master of lyrical aestheticism in modern Hindi literature. Born in 1900 in the lush Kumaon hills of Uttarakhand, he drew his earliest and most profound inspiration from the pristine beauty of the Himalayas. He became one of the four foundational pillars of Chhayavaad, the Hindi neo romantic movement. However, his literary journey did not stagnate in romantic nature worship. Over a career spanning more than five decades, his poetry evolved through distinct phases, absorbing progressive ideologies and eventually culminating in the deep philosophical spiritualism of Sri Aurobindo. Works like Pallav showcased his unmatched ability to weave delicate, musical imagery, while his later masterpiece Chidambara earned him the Jnanpith Award in 1968, the very first time this prestigious honor was given to a Hindi writer. Pant was also recognized with the Sahitya Akademi Award and the Padma Bhushan. He passed away in 1977, leaving behind a poetic vocabulary that taught the Hindi language how to capture the exact softness of falling dew and the quiet grandeur of the mountains.
Paired Painting
The Coronation of Rama
This sacred scene captures the profound moment of Ramrajyabhisheka, the coronation of Lord Rama upon his return to Ayodhya. Mahadev Vishwanath Dhurandhar, a master of his craft, depicts the divine couple seated upon a golden throne as sages perform the final rituals of anointment. Hanuman, the devoted servant, sits humbly at the feet of his Lord, embodying pure bhakti. The composition radiates a sense of eternal harmony and righteous governance, which resonated deeply with the Indian public during the nationalist movement. Through the medium of the chromolithograph, this image entered the domestic spaces of millions, transforming private homes into sites of communal worship and national pride.
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