
7 verses · ~1 min
नये साल की शुभकामनाएँ! खेतों की भेड़ों पर धूल-भरे पाँव को, कुहरे में लिपटे उस छोटे-से गाँव को, नए साल की शुभकामनाएँ!
जाते के गीतों को, बैलों की चाल को, करघे को, कोल्हू को, मछुओं के जाल को, नए साल की शुभकामनाएँ!
इस पकती रोटी को, बच्चों के शोर को, चौंके की गुनगुन को, चूल्हे की भोर को, नए साल की शुभकामनाएँ!
वीराने जंगल को, तारों को, रात को, ठण्डी दो बन्दूकों में घर की बात को, नए साल की शुभकामनाएँ!
इस चलती आँधी में हर बिखरे बाल को, सिगरेट की लाशों पर फूलों-से ख्याल को, नए साल की शुभकामनाएँ!
कोट के गुलाब और जूड़े के फूल को, हर नन्ही याद को, हर छोटी भूल को, नये साल की शुभकामनाएँ!
उनको जिनने चुन-चुनकर ग्रीटिंग कार्ड लिखे, उनको जो अपने गमले में चुपचाप दिखे, नये साल की शुभकामनाएँ!
इति
The Poet
सर्वेश्वरदयाल सक्सेना
Sarveshwar Dayal Saxena
1927 · 1983
Sarveshwar Dayal Saxena completely rejected the notion that serious poetry required an elitist vocabulary. Born in 1927 in the Basti district of Uttar Pradesh, he became one of the most accessible and beloved voices of the Nayi Kavita movement. As the prominent editor of the children's magazine Parag and a key figure at the literary journal Dinamaan, Saxena possessed an incredibly rare ability to speak directly to the rural heartland while maintaining razor sharp political intelligence. His poetry collections, such as the Sahitya Akademi Award winning Khunti Par Tange Log, confront the disillusionment of post independence India, governmental apathy, and the quiet struggles of the peasantry. He wrote about rivers, forests, and village folk not with romantic nostalgia, but with a fierce and protective realism. Saxena passed away in 1983, but his words remain permanently etched into the consciousness of the Indian middle class. He proved that true literary greatness lies not in speaking above the people, but in walking directly beside them.

Paired Painting
Indian Riverbank Landscape with Figures and Shrine
This evocative painting captures a serene moment along a traditional Indian riverbank, glowing in the amber light of the setting sun. Verdant trees frame a quiet shrine, while villagers go about their daily lives near the water, tending to cattle and fetching water. The composition bridges academic European landscape traditions with deeply observed indigenous motifs, celebrating the timeless harmony between the local populace, sacred architecture, and the flowing river.
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