
6 verses · ~1 min
चौपाटी: बम्बई का समुद्र-तट
यह रंगों का जाल सलोना, यह रंगों का जाल किरण-किरण में फहराता है नयन-नयन में लहराता है चिड़ियों-सा उड़ता आता है यह रंगों का जाल
सहज-सरल-सुन्दर रूपों का यह बादल रंगीन कोमल-चंचल झलमल-झलमल यह चल-दल रंगीन लिए शिशिर का कम्पन-सिहरन और शरद का उज्जवल आनन नव बसन्त का मुकुलित कानन उड़ता आता प्रतिपल-प्रतिक्षण यह रूपों का जाल मनोहर, यह रूपों का जाल
मेरी आँखें कितना देखें उतना चाहें जितना देखें कलना देखें, छलना देखें सत्य हो रहा सपना देखें यह रंगों का जाल सलोना, यह रंगों का जाल
और उड़ो तुम मेरे बादल और धुलो तुम मेरे शतदल और हिलो तुम मेरे चलदल चलो-चलो तुम मेरे चंचल बरसो तो मेरे आँगन में ठहरो तो मेरे इस मन में मुझको प्यारा-प्यारा लगता, यह रंगों का जाल यह रंगों का जाल सलोना, यह रंगों का जाल
रचनाकाल: 17 जुलाई 1944, बम्बई
इति
The Poet
गोपाल सिंह नेपाली
Gopal Singh Nepali
1911 · 1963
Gopal Singh Nepali lived a life divided between the quiet beauty of nature and the demanding glare of the Hindi film industry. Born in 1911 in Bettiah, Bihar, he emerged as a prominent voice in the post Chhayavaad era of Hindi poetry. Collections like Umang and Panchhi captured a profound love for the natural world, freedom, and the Himalayan landscapes. However, financial struggles eventually pushed him toward Mumbai, where he achieved tremendous success as a lyricist. He wrote roughly three hundred songs for over fifty films, crafting immortal melodies that blended high poetic dignity with popular appeal. During the national crisis of 1962, he wrote stirring patriotic verses that roused the conscience of the nation. Yet, despite his massive contributions to literature and cinema, the literary establishment often treated him with undeserved neglect. He passed away suddenly at the Bhagalpur railway station in 1963, completely unrecognized in his final moments. His life stands as a poignant reminder of the heavy price often paid by independent artists.

Paired Painting
Tilottama
In the vast and ancient expanse of Hindu mythology, Tilottama stands as a symbol of divine perfection, created by the architect of the gods, Vishvakarma, to bring an end to the destructive pride of the demons Sunda and Upasunda. Raja Ravi Varma, with his masterful command over oil pigments, breathed life into this legend. He captured her not merely as a mythological figure, but as an ethereal presence suspended between the heavens and the earth. Her form, draped in diaphanous golden fabrics that seem to dissolve into the clouds, reflects the transient beauty of the celestial realm. This painting serves as a profound meditation on the power of grace to balance the chaos of the universe, painted by an artist who dedicated his life to marrying the sensibilities of Western realism with the timeless depth of Indian epics.
Open the viewer →


