7 verses · ~1 min
वो थका हुआ मेरी बाहों में ज़रा सो गया था तो क्या हुआ अभी मैं ने देखा है चाँद भी किसी शाख़-ए-गुल पे झुका हुआ
जिसे ले गई है अभी हवा वो वरक़ था दिल की किताब का कहीं आँसुओं से मिटा हुआ कहीं आँसुओं से लिखा हुआ
कई मील रेत को काट कर कोई मौज फूल खिला गई कोई पेड़ प्यास से मर रहा है नदी के पास खड़ा हुआ
मुझे हादसों ने सजा सजा के बहुत हसीन बना दिया मेरा दिल भी जैसे दुल्हन का हाथ हो मेहन्दियों से रचा हुआ
वही ख़त के जिस पे जगह जगह दो महकते होंठों के चाँद थे किसी भूले-बिसरे से ताक़ पर तह-ए-गर्द होगा दबा हुआ
वही शहर है वही रास्ते वही घर है और वही लान भी मगर उस दरीचे से पूछना वो दरख़त अनार का क्या हुआ
मेरे साथ जुगनू है हमसफ़र मगर इस शरर की बिसात क्या ये चराग़ कोई चराग़ है न जला हुआ न बुझा हुआ
इति
The Poet
बशीर बद्र
Bashir Badr
1935 · 1999
Bashir Badr achieved something exceedingly rare in the modern literary landscape by bringing the Urdu ghazal out of the exclusive courts of intellectuals and directly into the hearts of the common people. Born Syed Muhammad Bashir in 1935 in Ayodhya, he cultivated a poetic voice that used the simplest, most everyday Hindustani vocabulary to express the deepest nuances of love, heartbreak, and social tragedy. His couplets are universally recognized and frequently quoted by individuals who may never have read a formal poetry book. His life was marked by profound personal tragedy, most notably when his home and decades of literary archives were burned to ashes during the communal riots of 1992 in Meerut. Yet, instead of responding with hatred, he channeled his grief into verses that pleaded for communal harmony and human empathy. Honored with the Sahitya Akademi Award and the Padma Shri in 1999, he later relocated to Bhopal. Bashir Badr stands as a living legend whose ghazals are permanently etched into the cultural memory of the subcontinent.
Paired Painting
Malabar Beauty
In this tender and evocative portrait, Raja Ravi Varma captures the essence of grace inherent to the women of the Malabar coast. He moves beyond simple representation, inviting the viewer into a quiet dialogue with the subject, whose thoughtful gaze and serene posture embody a dignified calm. By merging Western academic oil painting techniques with the distinct cultural identity of his homeland, Varma effectively elevated the status of Indian subjects on the global stage. This work remains a testament to his ability to blend realism with a deeply soulful connection to the human form, honoring the legacy and poise of the women of his era.
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