№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

Canvas
Rama is Placated by the Fearful Sea God

Veera

मैं खड़ा बीच मझधार किनारे क्या कर लेंगे

Main Khada Beech Majhdhar Kinare Kya Kar Lenge

Amitabh Tripathi ‘Amit’
1 min read 5 versesमझधारपतवारकिस्मत

5 verses · ~1 min

मैं खड़ा बीच मझधार किनारे क्या कर लेंगे मैने छोड़ी पतवार सहारे क्या कर लेंगे

तुम क़िस्मत-क़िस्मत करो जियो याचक बन कर मैं चला क्षितिज के पार सितारे क्या कर लेंगे

तुम दिखलाते हो राह मुझे मंजिल की, मैं आँखों से लाचार इशारे क्या कर लेंगे

हम ने जो कुछ भी कहा वही कर बैठे जो सोचें सौ-सौ बार बेचारे क्या कर लेंगे

ना समझ कहोगे तुम मुझको मालूम है ये फ़तवे हैं बेकार तुम्हारे क्या कर लेंगे

इति

Amitabh Tripathi ‘Amit’

The Poet

अमिताभ त्रिपाठी 'अमित'

Amitabh Tripathi ‘Amit’

Amitabh Tripathi 'Amit' belongs to a rare class of contemporary Hindi poets who write to hold up an unflinching mirror to society. His verse is stripped of complex academic jargon and strikes directly at the center of modern Indian realities. In works like his celebrated poem "Bas Itna Sa Samachar Hai" (This is All the News There Is), Tripathi captures the everyday ironies, widespread corruption, and moral compromises of the present age with devastating precision. He dismantles hollow idealism and gives a powerful voice to the common man navigating a broken system. To read Amitabh Tripathi is to be awakened from civic slumber. His poems are not merely complaints; they are urgent pleas for a return to collective conscience and integrity.

Rama is Placated by the Fearful Sea God

Paired Painting

Rama is Placated by the Fearful Sea God

In the climactic buildup to the Yuddhakanda of the Ramayana, Lord Rama reaches the shores of the vast ocean, seeking a passage for his army to reach Lanka. When the ocean god remains silent to his entreaties, Rama, overcome by divine indignation, takes up his bow to dry up the very waters that defy his path. Seeing the impending destruction of the aquatic world, Varuna, the Lord of the Oceans, emerges in terror and humility to seek refuge and forgiveness at the feet of the righteous prince. This painting captures that fleeting, breathless moment of cosmic tension, where the wrath of the divine meets the humbling power of submission.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Main Khada Beech Majhdhar Kinare Kya Kar Lenge carries.