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The Coronation of Rama

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काजू भुने पलेट में ह्विस्की गिलास में

Kaju Bhune Palet Mein Whiskey Glass Mein

Adam Gondvi
1 min read 5 versesSatireCorruptionPolitics

5 verses · ~1 min

काजू भुने पलेट में विस्की गिलास में उतरा है रामराज विधायक निवास में

पक्के समाजवादी हैं तस्कर हों या डकैत इतना असर है खादी के उजले लिबास में

आजादी का वो जश्न मनाएँ तो किस तरह जो आ गए फुटपाथ पर घर की तलाश में

पैसे से आप चाहें तो सरकार गिरा दें संसद बदल गई है यहाँ की नखास में

जनता के पास एक ही चारा है बगावत यह बात कह रहा हूँ मैं होशो-हवास में

इति

Adam Gondvi

The Poet

अदम गोंडवी

Adam Gondvi

1947 · 2011

If poetry exists to comfort the afflicted and afflict the comfortable, Adam Gondvi was Hindi literature's most uncompromising voice. Born Ram Nath Singh on October 22, 1947, in the Gonda district of Uttar Pradesh, he lived the quiet life of a farmer while writing verses of fierce revolutionary anger. Gondvi took the delicate and traditionally romantic form of the Urdu ghazal and turned it into a weapon. He used its strict meter to expose the hypocrisy of the caste system, the cruelty of feudal oppression, and the deep corruption within Indian politics. When he wrote that he would take the reader to the alleys of the Dalits, he was challenging mainstream literature to abandon its comfortable illusions and confront the starving reality of rural India. He rejected political patronage and lived his entire life in modest circumstances before passing away in 2011. Adam Gondvi remains the fearless conscience of the marginalized. His words strike with undeniable force.

The Coronation of Rama

Paired Painting

The Coronation of Rama

This sacred scene captures the profound moment of Ramrajyabhisheka, the coronation of Lord Rama upon his return to Ayodhya. Mahadev Vishwanath Dhurandhar, a master of his craft, depicts the divine couple seated upon a golden throne as sages perform the final rituals of anointment. Hanuman, the devoted servant, sits humbly at the feet of his Lord, embodying pure bhakti. The composition radiates a sense of eternal harmony and righteous governance, which resonated deeply with the Indian public during the nationalist movement. Through the medium of the chromolithograph, this image entered the domestic spaces of millions, transforming private homes into sites of communal worship and national pride.

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