
Painting
A Woman Playing a Tanpura
Late Mughal Period
Description
Created in Northern India, likely Lucknow or Awadh, in the late eighteenth century; subsequently held in private collections before entering a major museum institution.
Historical context
In the late eighteenth century, as the imperial center of Delhi faded, the flourishing court of Awadh in Lucknow emerged as a glorious sanctuary for artists, poets, and virtuoso musicians. This poignant painting evokes the soul of that golden era, capturing a refined female musician in a state of quiet contemplation. Her delicate fingers rest upon the wooden neck and green body of a tanpura, a drone instrument whose resonance grounds the intricate melodies of Indian classical music. Adorned in a vibrant saffron turban strung with pearls and precious rubies, she embodies the sophisticated aesthetic of courtly performers who were respected custodians of musical heritage. Her downcast, soul-searching eyes reveal that music for her is not merely performance, but a sacred pilgrimage of the spirit.
Featured in
Poems paired with this painting
- बाउल-गीतPratibha SaxenaRead →
- ग़म छुपाते रहे मुस्कुराते रहेBashir BadrRead →
- इश्क़ की गर्मी-ए-जज़्बात किसे पेश करूँSahir LudhianviRead →
- बंसीवारा आज्यो म्हारे देस, सांवरी सुरत वारी बेसMirabaiRead →
- सावन आयाAmir KhusrowRead →
- जाने तू क्या ढूँढ रहा है बस्ती में वीराने मेंIbn-e-InshaRead →
- तुक की व्यर्थताBharat Bhushan AgarwalRead →
Adjacent works

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_lady-with-the-tanpura.jpg&w=900&q=72&output=webp&we=&maxage=1y&fit=cover)


(1)_woman-playing-the-veena.jpg&w=24&q=30&output=webp&we=&maxage=1y&fit=cover)
(1)_woman-playing-the-veena.jpg&w=900&q=72&output=webp&we=&maxage=1y&fit=cover)

