
चरन कमल बंदौ हरि राई
Charan Kamal Bandau Hari Rai
Surdas
1 verse · ~4 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

1 verses · ~1 min
कोण गती ब्रिजनाथ । अब मोरी कोण गती ब्रिजनाथ ॥ध्रु०॥ भजनबिमुख अरु स्मरत नही । फिरत विषया साथ ॥१॥ हूं पतीत अपराधी पूरन । आचरु कर्म विकार ॥२॥ काम क्रोध अरु लाभ । चित्रवत नाथ तुमही ॥३॥ विकार अब चरण सरण लपटाणो । राखीलो महाराज ॥४॥ सूरदास प्रभु पतीतपावन । सरनको ब्रीद संभार ॥५॥
इति

Paired Painting
Lord Krishna Revealing His Universal Form to Arjuna on the Chariot
This profound artistic vision captures one of the most sublime moments in the Mahabharata, set upon the battlefield of Kurukshetra. The pandava prince Arjuna, overwhelmed by doubt and grief, finds divine solace in his charioteer and eternal guide, Lord Krishna. Here, the veil of mortal illusion is lifted as Krishna reveals His awe inspiring cosmic form, the Visvarupa, encompassing all of creation, time, and space within His infinite being. Multitudinous faces, celestial light, and divine arms emerge from the luminous background, embodying the terrifying yet supreme majesty of the Supreme Lord, while Arjuna looks on in reverent devotion with folded hands, forever transformed by the sacred dialogue of the Bhagavad Gita.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Kon Gati Brijnath carries.