1 verses · ~1 min
बेर बेर नही आवे अवसर बेर बेर नही आवे । जो जान तो करले भलाई जन्मोजन्म सुख पावे ॥ बरे०॥१॥ धन जोबत अंजलीको पाणी बखणतां बेर नहीं लागे । तन छुटे धन कोन कामको काहेकूं करनी कहावे ॥ बेर बेर०॥२॥ ज्याको मन बडो कृष्ण स्नेहकुं झूठ कबहूं नही आवे । सूरदासकी येही बिनती हरखी निरखी गुन गावे ॥ बेर बेर०॥३॥
इति
The Poet
सूरदास
Surdas
c. 1478 · c. 1583
Surdas represents the absolute zenith of the Bhakti movement in North India. Born in the late fifteenth century and believed to have been blind from birth, he did not need physical sight to observe the intricate beauty of the divine. He became the foremost poet of the Ashtachhap, a group of eight mystic poets dedicated to Lord Krishna. Composing entirely in Brajbhasha, Surdas authored the monumental Sur Sagar, a collection of thousands of devotional songs that remain deeply ingrained in the cultural memory of India. He wrote with an unparalleled understanding of child psychology, capturing the innocent mischief of the infant Krishna with a tenderness that no other poet has ever matched. His verses are not merely literature. They are the musical foundation of Vaishnava devotion. Five centuries later, his words continue to echo in temples and classical music concerts, offering eternal comfort to the human soul.
Paired Painting
Rama Spurns Surpanakha
This poignant illustration captures a pivotal moment from the Ramayana, where the demoness Surpanakha approaches Lord Rama in the forest, attempting to seduce him with her transformed beauty. Warwick Goble portrays the moment of rejection, where Rama, the embodiment of dharma and righteousness, turns away from her advances to remain faithful to Sita. The forest setting is rendered with an ethereal quality, emphasizing the spiritual gravity of the encounter. Rama is depicted with his iconic blue complexion, radiating calm resolve, while the demoness is shown in a state of emotional turmoil, grounding the divine narrative in a deeply human experience of longing and moral choice.
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