№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

Canvas
Harishchandra and Taramati

Karuna

ताज

Taj

Sumitranandan Pant
1 min read 4 versesताजTaj Mahalमृत्यु

4 verses · ~1 min

हाय! मृत्यु का ऐसा अमर, अपार्थिव पूजन? जब विषण्ण, निर्जीव पड़ा हो जग का जीवन! संग-सौध में हो शृंगार मरण का शोभन, नग्न, क्षुधातुर, वास-विहीन रहें जीवित जन?

मानव! ऐसी भी विरक्ति क्या जीवन के प्रति? आत्मा का अपमान, प्रेत औ’ छाया से रति!! प्रेम-अर्चना यही, करें हम मरण को वरण? स्थापित कर कंकाल, भरें जीवन का प्रांगण? शव को दें हम रूप, रंग, आदर मानन का मानव को हम कुत्सित चित्र बना दें शव का?

गत-युग के बहु धर्म-रूढ़ि के ताज मनोहर मानव के मोहांध हृदय में किए हुए घर! भूल गये हम जीवन का संदेश अनश्वर, मृतकों के हैं मृतक, जीवतों का है ईश्वर!

रचनाकाल: अक्टूबर’१९३५

इति

Sumitranandan Pant

The Poet

सुमित्रानंदन पंत

Sumitranandan Pant

Harishchandra and Taramati

Paired Painting

Harishchandra and Taramati

This profound canvas brings to life one of the most heartbreaking trials of virtue found in Indian mythology, the story of King Harishchandra. Having relinquished his entire kingdom, his wealth, and his status to fulfill a vow of absolute truth, the righteous king finds himself serving as an outcast guardian at the cremation grounds. In this agonizing scene, Queen Taramati weeps bitterly as she brings the lifeless body of their young son Rohashwa for cremation, only to be confronted by her husband who must enforce the final funeral tax. Raja Ravi Varma captures the crushing weight of their supreme sacrifice with breathtaking emotional intensity, illuminating their grief through the flickering, melancholic flames of the funeral pyre.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Taj carries.