№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

Canvas
The Saki

Karuna

परिचय

Parichay

Subhadra Kumari Chauhan
1 min read 7 versesपरिचयintroductionवेदना

7 verses · ~1 min

क्या कहते हो कुछ लिख दूँ मैं ललित-कलित कविताएं। चाहो तो चित्रित कर दूँ जीवन की करुण कथाएं॥

सूना कवि-हृदय पड़ा है, इसमें साहित्य नहीं है। इस लुटे हुए जीवन में, अब तो लालित्य नहीं है॥

मेरे प्राणों का सौदा, करती अंतर की ज्वाला। बेसुध-सी करती जाती, क्षण-क्षण वियोग की हाला॥

नीरस-सा होता जाता, जाने क्यों मेरा जीवन। भूली-भूली सी फिरती, लेकर यह खोया-सा मन॥

कैसे जीवन की प्याली टूटी, मधु रहा न बाकी? कैसे छुट गया अचानक मेरा मतवाला साकी??

सुध में मेरे आते ही मेरा छिप गया सुनहला सपना। खो गया कहाँ पर जाने? जीवन का वैभव अपना॥

क्यों कहते हो लिखने को, पढ़ लो आँखों में सहृदय। मेरी सब मौन व्यथाएं, मेरी पीड़ा का परिचय॥

इति

Subhadra Kumari Chauhan

The Poet

सुभद्राकुमारी चौहान

Subhadra Kumari Chauhan

1904 · 1948

There is a moment in every liberation movement when the struggle finds the poem that becomes its most essential utterance, not because the poem is merely rhetorical, but because it crystallizes an emotion so precisely that an entire people recognize themselves inside it. Subhadra Kumari Chauhan provided such a moment with Jhansi Ki Rani, her electric account of the warrior queen of Jhansi. This poem was so concentrated in its energy and so clear in its moral architecture that generations of Indian schoolchildren have carried it inside them as something closer to memory than memorization. But to reduce Chauhan to a single poem would be a severe literary injustice. She was an active participant in the independence movement who walked the path of satyagraha herself, becoming one of the first women to be imprisoned for civil disobedience. She was a poet of domestic tenderness, exploring childhood and the complex inner life of Indian women that formal literature had largely chosen to ignore. Born in 1904, she died in a road accident in 1948 too soon and too abruptly. Her voice remained fully alive and deeply necessary. She gave the warrior women of Indian mythology a voice, and in doing so, she became one herself.

The Saki

Paired Painting

The Saki

This exquisite oil painting is the work of Mahadev Vishwanath Dhurandhar, a legendary figure of the Bombay School who served as the first Indian director of the Sir J.J. School of Art. While some automated search results mistakenly identify this subject as Turkish, the artist's unmistakable signature and the specific cultural markers, such as the bindi and the style of the jewelry, confirm its Indian origin. The subject is the Saki, the wine bearer, a figure of great romantic and spiritual significance in Indian and Persian literature. Dhurandhar captures her in a moment of absolute stillness: the world seems to quieten as the liquid flows from the dark earthen vessel into the glass. The artist uses a palette of warm, grounded tones to highlight the luminosity of her garment, creating a contrast that feels both earthy and ethereal. It is a tribute to the dignity of the female form and the poetic beauty found in simple, everyday gestures.

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Parichay carries.