ShringaraBeginner

बच्चा - 2

Bacha - 2

Uday Bhanu Mishra

1 min read 2 versesChildren Flowers Home

2 verses · ~1 min

पूरा घर फूलों से भर गया है

शायद कोई बच्चा इधर से हंसता गुजरा है।

इति

Rasa: Shringara
Stanzas: 2
Lines: 8
Reading time: ~1 min
Form: Free verse
Metre: free verse
Rhyme: none

The poem evokes a tender, luminous romantic and devotional mood suffused with the sweet intimacy of domestic wonder. A painting of this scene would show a simple, sunlit interior space magically overrun by a riot of blooming flowers, their vibrant petals spilling across the floor as if an invisible, joyful presence had just bounded through. This sudden botanical abundance symbolizes the transformative, life-giving power of innocence, implying that the mere passage of a laughing child leaves an indelible, fragrant trace upon the physical world. The artistic tone is delightfully serene yet quietly euphoric, capturing the fleeting magic of pure, unadulterated happiness inhabiting a humble home.

बच्चा - 2 (Bacha - 2), by Uday Bhanu Mishra runs to 8 lines across 2 stanzas, set as A single short free-verse stanza with brief lines.. Its governing rasa is Shringara, shaded by Adbhuta. The metre is free verse. Rhyme falls as none.

Read it for शिशु की उपस्थिति से घर में सौंदर्य का संचार and बालक की हँसी की तुलना फूलों से. 5 words in it carry older or regional senses, so the poem rewards a second pass.

The verse is hung beside Parsi Girl: Bathed in a warm, intimate glow, the portrait exudes a gentle, contemplative mood that celebrates childhood innocence and quiet domesticity. A young Parsi girl dressed in traditional costume stands within a softly lit…

Words worth pausing on

शायद: कदाचित या संभवतः
फूलों: पुष्प या सुमन
भर: पूर्ण होना
हंसता: मुस्कुराता हुआ
गुजरा: बीता या निकला

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The Poet

उदय भान मिश्र

Uday Bhanu Mishra

Uday Bhanu Mishra lived a life deeply immersed in both the broadcast and literary landscapes of modern India. Serving for years as a director for Akashvani in Gorakhpur, he carried a vast geographical and emotional terrain within him. He was a restless traveler and a keen observer of the human condition, qualities that heavily influenced his diverse literary output. Mishra did not limit himself to one form. He wrote evocative travelogues like Ramgram se Kamakhya tak, the highly personal memoir Kahani Sirf Meri Nahi, and deeply resonant poetry collections like Aag Ki Neeli Nadi. His poems often reflect a quiet endurance, mapping out the betrayals of close friends alongside the enduring strength of the human spirit. He wrote without a trace of bitterness, preferring instead to view life with a patient, accepting warmth. While mainstream literary circles often overlooked regional figures, Mishra steadily built an intimate body of work that speaks directly to the complexities of personal grief and silent resilience.