4 verses · ~1 min
बात बात पर हंसता है बच्चा!
बात बात पर बिदकता है बच्चा!
बच्चे जब हंसता है धरती की कोख जुड़ा जाती है!
बच्चा जब रोता है आकाश की आंखें डबडबा जाती हैं।
इति
The Poet
उदय भान मिश्र
Uday Bhanu Mishra
Uday Bhanu Mishra lived a life deeply immersed in both the broadcast and literary landscapes of modern India. Serving for years as a director for Akashvani in Gorakhpur, he carried a vast geographical and emotional terrain within him. He was a restless traveler and a keen observer of the human condition, qualities that heavily influenced his diverse literary output. Mishra did not limit himself to one form. He wrote evocative travelogues like Ramgram se Kamakhya tak, the highly personal memoir Kahani Sirf Meri Nahi, and deeply resonant poetry collections like Aag Ki Neeli Nadi. His poems often reflect a quiet endurance, mapping out the betrayals of close friends alongside the enduring strength of the human spirit. He wrote without a trace of bitterness, preferring instead to view life with a patient, accepting warmth. While mainstream literary circles often overlooked regional figures, Mishra steadily built an intimate body of work that speaks directly to the complexities of personal grief and silent resilience.
Paired Painting
Anasuya and the Trimurti as Infants
This profound lithograph captures a moment of supreme cosmic irony and grace from the Puranas. The sage wife Anasuya, renowned for her absolute devotion and purity, is shown presenting the three supreme deities: Brahma, Vishnu, and Shiva, who have been transformed into infants while resting in a swinging cradle. The three goddesses, Saraswati, Lakshmi, and Parvati, stand before her, witnessing the divine play of their husbands. It is a moment that humbles the divine through the power of mortal virtue, illustrating the deep cultural reverence for motherhood and the leveling power of unconditional love.
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