3 verses · ~1 min
आजकल मैं एक ऐसे जंगल से गुजर रहां हूँ जिसमें एक दरख्त की जड़ें दूसरे दरख्त की जड़ें हैं
एक की पत्तियां दूसरे की पत्तियां हैं एक की जत्तायें दूसरे की जत्ताएं हैं
मैं एक ऐसे जंगल से गुजर रहा हूँ जिसमें हर दरख्त दूसरे दरख्त पर झुका हुआ है हर दरख्त दुसरे दरख्त पर ठिका हुआ है
इति
The Poet
उदय भान मिश्र
Uday Bhanu Mishra
Uday Bhanu Mishra lived a life deeply immersed in both the broadcast and literary landscapes of modern India. Serving for years as a director for Akashvani in Gorakhpur, he carried a vast geographical and emotional terrain within him. He was a restless traveler and a keen observer of the human condition, qualities that heavily influenced his diverse literary output. Mishra did not limit himself to one form. He wrote evocative travelogues like Ramgram se Kamakhya tak, the highly personal memoir Kahani Sirf Meri Nahi, and deeply resonant poetry collections like Aag Ki Neeli Nadi. His poems often reflect a quiet endurance, mapping out the betrayals of close friends alongside the enduring strength of the human spirit. He wrote without a trace of bitterness, preferring instead to view life with a patient, accepting warmth. While mainstream literary circles often overlooked regional figures, Mishra steadily built an intimate body of work that speaks directly to the complexities of personal grief and silent resilience.
Paired Painting
Romantic Landscape
This intimate view captures the soulful essence of nature as perceived by the masters of the Düsseldorf school. Johann Wilhelm Schirmer possessed a profound ability to translate the quiet hum of the wilderness into paint, inviting the viewer to step onto the path and lose themselves in the undulating mountains. It is a work of deep contemplation, reflecting the Romantic era's yearning for a divine connection with the untamed earth. The gentle light filtering through the foliage suggests a moment of stillness, a breath caught in time where the spirit of the artist and the viewer find common ground amidst the trees.
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