
कौन जतन बिनती करिये
Kaun Jatan Binati Kariye
Tulsidas
1 verse · ~13 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

1 verses · ~1 min
यह बिनती रहुबीर गुसाईं। और आस बिस्वास भरोसो, हरौ जीव-जड़ताई॥१॥ चहौं न सुगति, सुमति-संपति कछु रिधि सिधि बिपुल बड़ाई। हेतु-रहित अनुराग रामपद, बढ़ अनुदिन अधिकाई॥२॥ कुटिल करम लै जाइ मोहि, जहॅं-जहॅं अपनी बरियाई। तहॅं-तहॅं जनि छिन छोह छाँड़िये, कमठ-अण्डकी नाई॥३॥ यहि जगमें, जहॅं लगि या तनुकी, प्रीति प्रतीति सगाई। ते सब तुलसिदास प्रभु ही सों, होहिं सिमिति इक ठाई॥४॥
इति
The Poet
Tulsidas
1532 · 1623
There are works of literature, and there are works that become the living tissue of a civilization works so deeply absorbed into the bloodstream of a people that they cease to be read and begin, instead, to be breathed. Tulsidas's Ramcharitmanas is that second and almost impossibly rare thing. Composed in Awadhi in the sixteenth century, at a time when Sanskrit had erected a wall of exclusion around sacred knowledge, the Ramcharitmanas was an act of radical democratization a decision by a scholar of profound erudition to lay down his privilege and carry the light directly to those who had been told they were unworthy of it. Tulsidas took the Valmiki Ramayana and did not merely translate it. He recomposed it in the devotional key of Bhakti, saturating every couplet with such concentrated love that the text functions as much as a spiritual practice as a literary one. Generations of Hindu households have woken before dawn to the sound of these verses, heard them at birth and at death, found in them the moral grammar by which they ordered their lives. Tulsidas was not merely a poet. He was, in the most precise sense, an architect one who built a cathedral large enough for an entire subcontinent to live inside. The structure still stands. It has sheltered half a billion souls and shows no sign of age.

Paired Painting
Sita and Rama
This evocative image captures a moment of quiet intimacy between the divine couple, Rama and Sita. Their gaze is locked in mutual devotion, representing the eternal union of the soul and the divine. Rama, adorned in royal regalia with a bow slung across his back, embodies the protector, while Sita, with her hands pressed together in a gesture of reverence and love, reflects the depth of her unwavering faith. The soft glow radiating behind Rama serves as a halo, signifying his status as the avatar of Vishnu. Such depictions were instrumental in bringing the epics into the living rooms of countless devotees, fostering a personal, emotional connection to the narratives of the Ramayana.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Yah Binti Rahubir Gusain carries.