
हों तो एक नई बात सुन आई
Hon To Ek Nai Bat Sun Aai
Surdas
1 verse · ~6 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

Shringara
Vrajmandal Anand Bhayo Pragate Shri Mohan Lal
Surdas1 verses · ~1 min
व्रजमंडल आनंद भयो प्रगटे श्री मोहन लाल। ब्रज सुंदरि चलि भेंट लें हाथन कंचन थार॥१॥ जाय जुरि नंदराय के बंदनवार बंधाय। कुंकुम के दिये साथीये सो हरि मंगल गाय॥२॥ कान्ह कुंवर देखन चले हरखित होत अपार। देख देख व्रज सुंदर अपनों तन मन वार॥३॥ जसुमति लेत बुलाय के अंबर दिये पहराय। आभूषण बहु भांति के दिये सबन मनभाय॥४॥ दे आशीष घर को चली, चिरजियो कुंवर कन्हाई। सूर श्याम विनती करी, नंदराय मन भाय॥५॥
इति
The Poet
Surdas
c. 1478 · c. 1583
Surdas represents the absolute zenith of the Bhakti movement in North India. Born in the late fifteenth century and believed to have been blind from birth, he did not need physical sight to observe the intricate beauty of the divine. He became the foremost poet of the Ashtachhap, a group of eight mystic poets dedicated to Lord Krishna. Composing entirely in Brajbhasha, Surdas authored the monumental Sur Sagar, a collection of thousands of devotional songs that remain deeply ingrained in the cultural memory of India. He wrote with an unparalleled understanding of child psychology, capturing the innocent mischief of the infant Krishna with a tenderness that no other poet has ever matched. His verses are not merely literature. They are the musical foundation of Vaishnava devotion. Five centuries later, his words continue to echo in temples and classical music concerts, offering eternal comfort to the human soul.

Paired Painting
Krishna Drishta
In this deeply tender and spiritually resonant masterpiece, Raja Ravi Varma captures the sacred intimacy of devotees beholding the divine child Krishna. The scene unfolds within the warm, flickering glow of oil lamps, casting gentle shadows across devoted faces filled with awe and tender devotion. A mother holds the radiant infant close, while surrounding women offer prayers, flowers, and light, their eyes locked in reverent wonder upon the young god. Varma brilliantly employs European academic realism to elevate indigenous Puranic narratives, transforming mythological storytelling into a visceral, deeply human encounter with the divine. Every fold of fabric and every soft contour of light breathes life into an eternal moment of grace.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Vrajmandal Anand Bhayo Pragate Shri Mohan Lal carries.