शान्त· Shanta
01कब तुम मोसो पतित उधारो
Kab Tum Moso Patit Udharo
Surdas
1 verse · ~6 lines · 1 min
Shanta
मो सम कौन कुटिल खल कामी
Mo Sam Kaun Kutil Khal Kami
Surdas 1 min read 1 versesआत्म-ग्लानिself-deprecationपापी
1 verses · ~1 min
मो सम कौन कुटिल खल कामी। जेहिं तनु दियौ ताहिं बिसरायौ, ऐसौ नोनहरामी॥ भरि भरि उदर विषय कों धावौं, जैसे सूकर ग्रामी। हरिजन छांड़ि हरी-विमुखन की निसदिन करत गुलामी॥ पापी कौन बड़ो है मोतें, सब पतितन में नामी। सूर, पतित कों ठौर कहां है, सुनिए श्रीपति स्वामी॥
इति
The Poet
सूरदास
Surdas
c. 1478 · c. 1583
Surdas represents the absolute zenith of the Bhakti movement in North India. Born in the late fifteenth century and believed to have been blind from birth, he did not need physical sight to observe the intricate beauty of the divine. He became the foremost poet of the Ashtachhap, a group of eight mystic poets dedicated to Lord Krishna. Composing entirely in Brajbhasha, Surdas authored the monumental Sur Sagar, a collection of thousands of devotional songs that remain deeply ingrained in the cultural memory of India. He wrote with an unparalleled understanding of child psychology, capturing the innocent mischief of the infant Krishna with a tenderness that no other poet has ever matched. His verses are not merely literature. They are the musical foundation of Vaishnava devotion. Five centuries later, his words continue to echo in temples and classical music concerts, offering eternal comfort to the human soul.
Paired Painting
The Passover Instituted
This evocative scene captures a moment of deep spiritual preparation, as a man meticulously cleans his dwelling in anticipation of the Passover. The artist employs a sensitive lens to bridge the gap between ancient traditions and a familiar domestic setting. There is a profound sense of devotion in the man's posture, his arm stretched high to reach every corner, ensuring that no trace of leaven remains. This act of purification is not merely physical, it is a soul stirring commitment to sacred law and the sanctity of the home. In the soft light of the doorway, a second figure stands in shadow, perhaps representing the quiet continuity of faith that persists within the family unit. The image resonates with the universal human need to prepare oneself, both outwardly and inwardly, for a moment of divine encounter.
Open the viewer →
If this held you
Four more, in the same key.
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Mo Sam Kaun Kutil Khal Kami carries.
