1 verses · ~1 min
मेरो कान्ह कमलदललोचन। अब की बेर बहुरि फिरि आवहु, कहा लगे जिय सोचन॥ यह लालसा होति हिय मेरे, बैठी देखति रैहौं॥ गाइ चरावन कान्ह कुंवर सों भूलि न कबहूं कैहौं॥ करत अन्याय न कबहुं बरजिहौं, अरु माखन की चोरी। अपने जियत नैन भरि देखौं, हरि हलधर की जोरी॥ एक बेर ह्वै जाहु यहां लौं, मेरे ललन कन्हैया। चारि दिवसहीं पहुनई कीजौ, तलफति तेरी मैया॥
इति
The Poet
सूरदास
Surdas
c. 1478 · c. 1583
Surdas represents the absolute zenith of the Bhakti movement in North India. Born in the late fifteenth century and believed to have been blind from birth, he did not need physical sight to observe the intricate beauty of the divine. He became the foremost poet of the Ashtachhap, a group of eight mystic poets dedicated to Lord Krishna. Composing entirely in Brajbhasha, Surdas authored the monumental Sur Sagar, a collection of thousands of devotional songs that remain deeply ingrained in the cultural memory of India. He wrote with an unparalleled understanding of child psychology, capturing the innocent mischief of the infant Krishna with a tenderness that no other poet has ever matched. His verses are not merely literature. They are the musical foundation of Vaishnava devotion. Five centuries later, his words continue to echo in temples and classical music concerts, offering eternal comfort to the human soul.
Paired Painting
Karna and Kunti
This poignant depiction captures one of the most tragic and profound encounters in the Mahabharata. Kunti, the mother of the Pandavas, approaches her abandoned son Karna on the banks of the Ganga. The painting breathes with the weight of unspeakable secrets and the heavy mantle of duty. Karna, a warrior defined by his loyalty to Duryodhana despite his divine lineage, rests in a moment of vulnerability. Kunti, draped in white, embodies the sorrow of a mother whose maternal love was sacrificed at the altar of circumstances. It is a quiet, devastating intersection of destiny and blood, reminding the viewer that even the greatest heroes are bound by the threads of fate.
Open the viewer →