1 verses · ~1 min
मन तोसों कोटिक बार कहीं। समुझि न चरन गहे गोविन्द के, उर अघ-सूल सही॥ सुमिरन ध्यान कथा हरिजू की, यह एकौ न रही। लोभी लंपट विषयनि सों हित, यौं तेरी निबही॥ छांड़ि कनक मनि रत्न अमोलक, कांच की किरच गही। ऐसो तू है चतुर बिबेकी, पय तजि पियत महीं॥ ब्रह्मादिक रुद्रादिक रबिससि देखे सुर सबहीं। सूरदास, भगवन्त-भजन बिनु, सुख तिहुं लोक नहीं॥
इति
The Poet
सूरदास
Surdas
c. 1478 · c. 1583
Surdas represents the absolute zenith of the Bhakti movement in North India. Born in the late fifteenth century and believed to have been blind from birth, he did not need physical sight to observe the intricate beauty of the divine. He became the foremost poet of the Ashtachhap, a group of eight mystic poets dedicated to Lord Krishna. Composing entirely in Brajbhasha, Surdas authored the monumental Sur Sagar, a collection of thousands of devotional songs that remain deeply ingrained in the cultural memory of India. He wrote with an unparalleled understanding of child psychology, capturing the innocent mischief of the infant Krishna with a tenderness that no other poet has ever matched. His verses are not merely literature. They are the musical foundation of Vaishnava devotion. Five centuries later, his words continue to echo in temples and classical music concerts, offering eternal comfort to the human soul.
Paired Painting
Sakuntala and Durvasa
This poignant scene captures a tragic pivot in the life of Sakuntala, the heroine of Kalidasa's timeless masterpiece, Abhijnanashakuntalam. Lost in her devotion and memories of her beloved King Dushyanta, Sakuntala fails to notice the arrival of the formidable sage Durvasa at the hermitage. The artist masterfully portrays the profound contrast between the serene, distracted grace of Sakuntala and the fiery, righteous indignation of the sage, whose wrathful curse threatens to unravel her destiny. It is a moment of heavy silence and impending sorrow, rendered with a deep sensitivity toward the emotional landscape of Indian classical literature.
Open the viewer →