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Lord Krishna Presenting Akshaya Patra to Draupadi

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अंखियां हरि-दरसन की भूखी

Ankhiyan Hari-Darshan Ki Bhookhi

Surdas
1 min read 1 versesEyesPhilosophySeparation

1 verses · ~1 min

अंखियां हरि-दरसन की भूखी। कैसे रहैं रूप-रस रांची ये बतियां सुनि रूखी॥ अवधि गनत इकटक मग जोवत तब ये तौ नहिं झूखी। अब इन जोग संदेसनि ऊधो, अति अकुलानी दूखी॥ बारक वह मुख फेरि दिखावहुदुहि पय पिवत पतूखी। सूर, जोग जनि नाव चलावहु ये सरिता हैं सूखी॥

इति

Surdas

The Poet

सूरदास

Surdas

c. 1478 · c. 1583

Surdas represents the absolute zenith of the Bhakti movement in North India. Born in the late fifteenth century and believed to have been blind from birth, he did not need physical sight to observe the intricate beauty of the divine. He became the foremost poet of the Ashtachhap, a group of eight mystic poets dedicated to Lord Krishna. Composing entirely in Brajbhasha, Surdas authored the monumental Sur Sagar, a collection of thousands of devotional songs that remain deeply ingrained in the cultural memory of India. He wrote with an unparalleled understanding of child psychology, capturing the innocent mischief of the infant Krishna with a tenderness that no other poet has ever matched. His verses are not merely literature. They are the musical foundation of Vaishnava devotion. Five centuries later, his words continue to echo in temples and classical music concerts, offering eternal comfort to the human soul.

Lord Krishna Presenting Akshaya Patra to Draupadi

Paired Painting

Lord Krishna Presenting Akshaya Patra to Draupadi

This deeply moving canvas captures a moment of divine grace and profound solace from the Mahabharata. During their harsh exile in the forest, the Pandavas faced immense hardship, famously tested by the sudden arrival of sage Durvasa and his numerous disciples for a meal when no food remained. In their moment of utter desperation, Queen Draupadi offered a heartfelt prayer to Lord Krishna. Moved by her unwavering devotion and surrender, the divine Lord appeared before her and bestowed the Akshaya Patra, a miraculous vessel that would endlessly produce food until Draupadi herself had finished eating. B. R. Banerjee renders this sacred exchange with tender emotional resonance, showing Draupadi cradling the vessel with reverence as her husband Yudhishthira stands behind her in awe, while Lord Krishna glows with celestial compassion, pointing toward the pot as the eternal provider of sustenance.

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