№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

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MM · XXVI

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Radharani's Sidelong Glance

Shringara

पर आँखें नहीं भरीं

Par Aankhen Nahin Bhareen

Shivamangal Singh 'Suman'
1 min read 3 versesसौंदर्यतृष्णामिलन

3 verses · ~1 min

कितनी बार तुम्हें देखा पर आँखें नहीं भरीं।

सीमित उर में चिर-असीम सौंदर्य समा न सका बीन-मुग्ध बेसुध-कुरंग मन रोके नहीं रुका यों तो कई बार पी-पीकर जी भर गया छका एक बूँद थी, किंतु, कि जिसकी तृष्णा नहीं मरी। कितनी बार तुम्हें देखा पर आँखें नहीं भरीं।

शब्द, रूप, रस, गंध तुम्हारी कण-कण में बिखरी मिलन साँझ की लाज सुनहरी ऊषा बन निखरी, हाय, गूँथने के ही क्रम में कलिका खिली, झरी भर-भर हारी, किंतु रह गई रीती ही गगरी। कितनी बार तुम्हें देखा पर आँखें नहीं भरीं।

इति

Shivamangal Singh 'Suman'

The Poet

शिवमंगल सिंह ‘सुमन’

Shivamangal Singh 'Suman'

1915 · 2002

There is a particular form of literary courage that has nothing to do with defiance or rebellion the courage of choosing to remain human when circumstances press hard toward despair. Shivamangal Singh Suman possessed this courage in extraordinary measure. He wrote across the full breadth of the progressive literary movement in Hindi, and his work bears the mark of a mind that refused to choose between aesthetic beauty and social conscience, insisting with deep patience that both are necessary if poetry is to perform its highest function. His verses walk the razor's edge between lyric grace and the weight of lived suffering never collapsing into sentimentality, never hardening into polemic. Born in Unnao in 1915, Suman rose to lead Vikram University as its Vice Chancellor, becoming one of the rare figures who moved between the world of intellectual administration and the world of pure creative fire without losing his substance in either. He received the Padma Bhushan and Sahitya Akademi recognition, but his true monument is the quality of sustenance his verses have provided across generations of readers who found in him a poet who understood that the will to go on is, in itself, a form of sacred defiance.

Radharani's Sidelong Glance

Paired Painting

Radharani's Sidelong Glance

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If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Par Aankhen Nahin Bhareen carries.