
शहीदों में तू नाम लिखा ले रे!
Shahidon Mein Tu Naam Likha Le Re
Gopal Prasad Vyas
17 verses · ~41 lines · 2 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

30 verses · ~2 min
माँ कब से खड़ी पुकार रही
पुत्रो निज कर में शस्त्र गहो
सेनापति की आवाज़ हुई
तैयार रहो , तैयार रहो
आओ तुम भी दो आज विदा अब क्या अड़चन क्या देरी
लो आज बज उठी रणभेरी .
पैंतीस कोटि लडके बच्चे
जिसके बल पर ललकार रहे
वह पराधीन बिन निज गृह में
परदेशी की दुत्कार सहे
कह दो अब हमको सहन नहीं मेरी माँ कहलाये चेरी .
लो आज बज उठी रणभेरी .
जो दूध-दूध कह तड़प गये
दाने दाने को तरस मरे
लाठियाँ-गोलियाँ जो खाईं
वे घाव अभी तक बने हरे
उन सबका बदला लेने को अब बाहें फड़क रही मेरी
लो आज बज उठी रणभेरी .
अब बढ़े चलो , अब बढ़े चलो
निर्भय हो जग के गान करो
सदियों में अवसर आया है
बलिदानी , अब बलिदान करो
फिर माँ का दूध उमड़ आया बहनें देती मंगल-फेरी .
लो आज बज उठी रणभेरी .
जलने दो जौहर की ज्वाला
अब पहनो केसरिया बाना
आपस का कलह-डाह छोड़ो
तुमको शहीद बनने जाना
जो बिना विजय वापस आये माँ आज शपथ उसको तेरी .
लो आज बज उठी रणभेरी .
इति
The Poet
Shivamangal Singh 'Suman'
1915 · 2002
There is a particular form of literary courage that has nothing to do with defiance or rebellion the courage of choosing to remain human when circumstances press hard toward despair. Shivamangal Singh Suman possessed this courage in extraordinary measure. He wrote across the full breadth of the progressive literary movement in Hindi, and his work bears the mark of a mind that refused to choose between aesthetic beauty and social conscience, insisting with deep patience that both are necessary if poetry is to perform its highest function. His verses walk the razor's edge between lyric grace and the weight of lived suffering never collapsing into sentimentality, never hardening into polemic. Born in Unnao in 1915, Suman rose to lead Vikram University as its Vice Chancellor, becoming one of the rare figures who moved between the world of intellectual administration and the world of pure creative fire without losing his substance in either. He received the Padma Bhushan and Sahitya Akademi recognition, but his true monument is the quality of sustenance his verses have provided across generations of readers who found in him a poet who understood that the will to go on is, in itself, a form of sacred defiance.

Paired Painting
Maharana Pratap Praying to Goddess at Haldighati
This profound painting captures a deeply spiritual moment from the legendary Battle of Haldighati fought in 1576. Maharana Pratap, the noble ruler of Mewar, pauses amidst the swirling chaos of war to offer his absolute devotion to the Divine Mother, depicted in the celestial clouds manifesting with multiple arms bearing sacred weapons. Mounted on his loyal horse Chetak, the warrior king lowers his sword and bows his head in complete surrender to the divine will, reminding us that true strength is born from humility and faith. Around him, devoted soldiers tend to the wounded and ready themselves for the righteous struggle, their armor gleaming under a turbulent sky, while the royal standard flutters bravely in the distance. The artwork serves as an eternal testament to the unyielding spirit of Mewar, where duty to the motherland and spiritual grace were inextricably intertwined.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Ranabheri carries.