
हरी घाटी
Hari Ghati
Poornima Varman
1 verse · ~10 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI
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5 verses · ~1 min
पहाड़ी झरने की तरह चट्टानों से टकराते पहले-पहल मिले थे विजयकांत
विजयकांत नद की तरह बहे तब से अब तक समुद्र होने की प्रक्रिया में ज्वारग्रस्त होते फिर-फिर मिले विजयकांत मेरे रेखांकित पानी को अर्थ देते
अपनी पृथ्वी की सार्थकता को सींचते अनवरत जीते वैसे ही क़रीब-क़रीब जैसे मिले थे पहली बार विजयकांत...
रचनाकाल: 30.05.1987
शलभ श्रीराम सिंह ने यह कविता हिन्दी की साहित्यिक पत्रिका 'पुरुष' के सम्पादक विजयकांत जी के लिए लिखी थी, जो 'पुरुष' के जून'1998 के शलभ केन्द्रित अंक में प्रकाशित हुई थी।
इति
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Paired Painting
Nasik Scene (III of IV)
António Xavier Trindade, often revered as the Rembrandt of the East, possessed an extraordinary ability to capture the soul of India through a lens of profound empathy and technical brilliance. In this masterful work, he transports us to the sacred ghats of Nasik, a city steeped in ancient devotion and the gentle flow of the Godavari River. The painting hums with the quiet rhythms of daily life: here, the sacred and the mundane exist in a beautiful, harmonious dance. Figures draped in soft pastel garments gather by the cool, translucent waters, their presence speaking to a timeless tradition of purification and prayer. Trindade invites us to witness this collective moment of grace, where the light plays upon the temple stone and the water alike, grounding the viewer in a sense of serenity that has endured for generations.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Vijaykant carries.