
6 verses · ~1 min
लडकी अकेली है अपने सुख में अपने दुःख में अकेली है लडकी अकेली है अपनी उत्तेजना और अपने आक्रोश में
अकेली है अपने संवाद में अपनी चुप्पी में अकेली है लडकी अकेली है अपनी हँसी में
अकेली है अपनी नीद में अपने सपनों में अकेली है लडकी अकेली है अपनी सुबहों में
अकेली है अपनी दोपहरों में अपनी शामों में अकेली है लडकी अकेली-अकेली है अपनी किताबों में
लडकी अकेली है अपनी तन्हाइयों में अपनी जम्हाइयों में अकेली है लडकी अकेली है अपनी अंगड़ाइयों में लडकी अकेली है इस वक़्त
रचनाकाल: 1992 विदिशा
इति
The Poet
शलभ श्रीराम सिंह
Shalabh Shriram Singh
1939 · 1960s
Shalabh Shriram Singh was a bohemian visionary who deliberately rejected the comfortable illusions of mainstream literature to forge an entirely new path. Born in 1938 in the Faizabad district of Uttar Pradesh, he became the driving force behind the Yuyutsawad movement in Hindi poetry during the late 1960s. He refused to be categorized by traditional literary epochs, writing with a rebellious spirit that sought a total transformation of society. His iconic poem Nafas Nafas Kadam Kadam became a revolutionary anthem, echoing through protests and progressive circles long after it was written. Singh possessed a remarkable ability to bridge the lyrical traditions of the Urdu ghazal with the grounded realities of modern Hindi verse. He wrote not for applause, but to confront the deep social inequalities and religious hypocrisies that plagued the nation. Passing away in 2000, he left behind a legacy that continues to inspire young writers. He remains a fearless poet of the marginalized, proving that true literature must possess the courage to make the comfortable feel intensely uncomfortable.

Paired Painting
Seated Lady
In this evocative portrait, Mahadev Vishwanath Dhurandhar captures a moment of quiet, soulful contemplation. The subject, a woman of grace, is portrayed with a profoundly Indian sensibility, characteristic of the artist's celebrated contribution to the Bombay School. The way the light interacts with her features reveals not just technical skill, but a deep reverence for the dignity of his sitters. Her gaze is diverted, lost in a private world of thought, inviting the viewer to wonder about the silent stories held within her heart. This work is a testament to the ability of Dhurandhar to find the extraordinary within the ordinary, celebrating the silent, powerful presence of women in the Indian household.
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