3 verses · ~1 min
तू हिन्दू बनेगा ना मुसलमान बनेगा इन्सान की औलाद है इन्सान बनेग
कुदरत ने तो बनाई थी एक ही दुनिया हमने उसे हिन्दू और मुसलमान बनाया तू सबके लिये अमन का पैगाम बनेगा इन्सान की औलाद है इन्सान बनेगा
ये दिन ये ईमान धरम बेचने वाले धन-दौलत के भूखे वतन बेचने वाले तू इनके लिये मौत का ऐलान बनेगा इन्सान की औलाद है इन्सान बनेगा
इति
The Poet
साहिर लुधियानवी
Sahir Ludhianvi
1921 · 1980
Sahir Ludhianvi possessed a voice that refused to separate the agony of romance from the brutal inequalities of the world. Born Abdul Hayee in 1921 in Punjab, he adopted the pen name Sahir, meaning magician, and proved it entirely accurate through a lifelong mastery of Urdu poetry. As a prominent figure in the Progressive Writers Movement, he rejected the traditional obsession with the idealized beloved. Instead, he forced his readers to look at the poverty, the exploitation, and the hypocrisies of society that destroy love before it can even bloom. When he entered the Hindi film industry, he fundamentally changed the stature of the lyricist. Directors and composers adapted their music to his words, rather than the other way around. Through films like Pyaasa and Kabhi Kabhie, he brought profound literary dignity and fierce anti establishment critique to mainstream cinema. He passed away in 1980, but his poetry remains a burning torch. Sahir remains the ultimate poet of the disenchanted, a man who wrote beautiful verses to express an absolute refusal to accept an ugly world.
Paired Painting
Brahmacharis
Brahmacharis stands as a magnificent testament to Amrita Sher Gil's artistic homecoming, painted in Simla in 1937 after her formative years steeped in European academic tradition. Here, she turned her gaze toward the soil and souls of her motherland, finding a profound visual poetry in the quiet dignity of young Indian students of religious life. The composition arranges five young men and boys in varying postures of repose, clad in pristine white dhotis against a brooding, earthy red backdrop. Through masterful handling of form and subdued color harmonies, Sher Gil strips away sentimental exoticism to reveal the genuine humanity, vulnerability, and spiritual searching within each figure. The central youth, marked with a sacred tilak, anchors the emotional gravity of the scene, while the surrounding figures embody the gentle rhythms of traditional Indian existence. This painting marks a pivotal moment where Western painterly technique bowed in deep reverence to Indian subjects, forever transforming the landscape of modern South Asian art.
Open the viewer →