
KarunaIntermediate
किस का रस्ता देखे, ऐ दिल, ऐ सौदाई
Kis Ka Rasta Dekhe, Ai Dil, Ai Saudai
Sahir Ludhianvi3 verses · ~1 min
किस का रस्ता देखे, ऐ दिल, ऐ सौदाई मीलों है खामोशी, बरसों है तनहाई भूली दुनिया, कभी की, तुझे भी मुझे भी फिर क्यों आँख भर आई ओ, किस का रस्ता देखे ...
कोई भी साया नहीं राहों में कोई भी आएगा न बाहों में तेरे लिए मेरे लिए कोई नहीं रोने वाला हो झूटा भी नाता नहीं चाहों में तू ही क्यों डूबा रहे आहों में कोई किसी संग मरे, ऐसा नहीं होने वाला कोई नहीं जो यूँ ही जहाँ में, बाँटे पीर पराई हो, किस का रस्ता देखे ...
तुझे क्या बीती हुई रातों से मुझे क्या खोई हुई बातों से सेज नहीं, चितह सही, जो भी मिले सोना होगा, हो गई जो डोरी छूट हाथों से, ओ लेना क्या छूटे हुए साथों से खुशी जहाँ माँगी तूने, वहीं मुझे रोना होगा न कोई तेरा, न कोई मेरा, फिर किसकी याद आई ओ, किस का रस्ता देखे ...
इति
The Poet
साहिर लुधियानवी
Sahir Ludhianvi
1921 · 1980
Sahir Ludhianvi possessed a voice that refused to separate the agony of romance from the brutal inequalities of the world. Born Abdul Hayee in 1921 in Punjab, he adopted the pen name Sahir, meaning magician, and proved it entirely accurate through a lifelong mastery of Urdu poetry. As a prominent figure in the Progressive Writers Movement, he rejected the traditional obsession with the idealized beloved. Instead, he forced his readers to look at the poverty, the exploitation, and the hypocrisies of society that destroy love before it can even bloom. When he entered the Hindi film industry, he fundamentally changed the stature of the lyricist. Directors and composers adapted their music to his words, rather than the other way around. Through films like Pyaasa and Kabhi Kabhie, he brought profound literary dignity and fierce anti establishment critique to mainstream cinema. He passed away in 1980, but his poetry remains a burning torch. Sahir remains the ultimate poet of the disenchanted, a man who wrote beautiful verses to express an absolute refusal to accept an ugly world.

Paired Painting
Dark and difficult was the Road
This profound work captures a somber moment from the great epic Mahabharata, illustrating Yudhishthira as he traverses the harrowing path toward the afterlife. Abanindranath Tagore, a pioneer of the Bengal School, masterfully renders the spiritual weight of this journey. The luminosity emanating from Yudhishthira contrasts with the grim, cavernous underworld filled with the remnants of mortality. It serves as a visual meditation on the burdens of duty, the solitude of the righteous, and the inevitable shadows one must face before reaching ultimate transcendence.
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