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तेरे बचपन को जवानी की दुआ देती हूँ
Tere Bachpan Ko Jawani Ki Dua Deti Hoon
Sahir Ludhianvi
4 verses · ~22 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

6 verses · ~2 min
सड़क का कर्ज था शिरीषों पर निर्जन पगडंडी के बजाए साफ-सुथरा रास्ता सब के लिए और लो, जो तुम बीच में अड़े हो अपना सर्वस्व दे दो दूसरों के लिए
इससे पहले कि धड़ अलग होंगे फूटने दो फलियाँ फैलने दो बीज कि चारों तरफ शिरीष-संतति रहे भले ही हम न हों न हो हमारा कर्ज उनके माथे
सब कोई आए अपना धन माँगने ब्याज में फूल परागण गंध देने से नहीं चला काम कोयलों की कूक बुलबुलों के गान तितलियों के नाच सब व्यर्थ गए
सूदखोरों ने कहा 'सिर्फ अधूरे ब्याज से नहीं चलेगा काम सिर्फ छायाएँ नहीं होतीं विश्राम सिर्फ सुगंध से नहीं होती मूलधन की वापसी जन्म लेने से पहले तुम्हें सोचना था कि भविष्य जीवन-मृत्यु का संघर्ष होगा'
'अन्नदाता, हम इस संसार से चले जाते हैं पर तब भी क्या हमारे परिवार को काटेंगे पीटेंगे'
'नहीं, तब नहीं जब तुम्हारा कोई जमानती नहीं होगा' नहीं, नहीं, नहीं सड़क पर घूमता था रोडरोलर वे शिरीष जो अब नहीं रहे कोई उनसे क्या कहेगा
इति
The Poet
Rituraj
1940 · 2021
While many modern writers focused on grand political narratives or complex urban themes, Rituraj deliberately turned his attention to the quiet and often overlooked corners of ordinary existence. Born in 1940 in Rajasthan, he spent over three decades teaching English literature. However, he chose Hindi as the medium to express the profound tragedies and daily struggles of the Indian heartland. He lived mostly in Bundi, far from the glittering literary circles of major metropolitan cities. From there, he developed a voice that is exceptionally attentive to those living on the margins of society. In his famous poem Kanyadaan, he examines the complex anxiety of a mother giving away her daughter with piercing, understated realism. He avoided heavy ornamentation and artificial rhetoric. His poetry simply affirms the quiet resilience of everyday people. He passed away in 2024, leaving behind a body of work that forces readers to confront the deep ironies hidden in plain sight.

Paired Painting
King Dasharatha and Queen Kaikeyi in the Wrath Chamber
This poignant artwork captures a deeply tragic and pivotal turning point from the Ayodhya Kanda of the Ramayana. Queen Kaikeyi lies in profound despair and anger upon the floor of her wrath chamber, the Krodh Bhavan, having demanded boons that will exile Prince Rama and uproot the kingdom. King Dasharatha stands above her, his posture broken by a mixture of shock, sorrow, and impending doom. The painting evokes a heavy emotional atmosphere, reflecting the agonizing clash between royal duty, binding promises, and personal devastation.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Jab Hum Nahi Rahenge carries.