1 verses · ~1 min
प्रान वही जु रहैं रिझि वापर, रूप वही जिहिं वाहि रिझायो। सीस वही जिहिं वे परसे पग, अंग वही जिहीं वा परसायो दूध वही जु दुहायो वही सों, दही सु सही जु वहीं ढुरकायो। और कहाँ लौं कहौं 'रसखान री भाव वही जू वही मन भायो॥
इति
The Poet
रसखान
Raskhan
1548 · 1628
Syed Ibrahim, who adopted the pen name Raskhan, represents one of the most beautiful spiritual transformations in the history of Indian literature. Born in the sixteenth century to a wealthy Muslim family, he experienced a profound awakening upon encountering the devotion of the Vaishnava tradition. He abandoned his worldly privileges, relocated to the sacred town of Vrindavan, and spent the rest of his life entirely consumed by a fierce, ecstatic love for Lord Krishna. Composing in Braj Bhasha, he authored verses that capture the divine playfulness of Krishna with unparalleled tenderness. His poetry transcends all religious boundaries, proving that ultimate devotion recognizes no rigid theology. Today, his couplets are recited with deep reverence in Hindu temples across the country. Raskhan stands as an eternal symbol of pure, unconditioned love, demonstrating that the divine can be accessed by anyone possessing a truly surrendered heart.
Paired Painting
Yashoda and Krishna
This deeply evocative masterpiece captures the sacred bond of maternal love, known in classical Indian aesthetic traditions as Vatsalya Rasa. Master painter Raja Ravi Varma renders Mother Yashoda quietly engaged in her daily domestic rhythm, milking the gentle white cow that sustains the household. The divine child Krishna clings affectionately to his mother's back, holding a tiny golden vessel and gazing outward with captivating innocence. Ravi Varma seamlessly bridges traditional Indian devotional narratives with European academic oil painting techniques, bestowing an unparalleled naturalism and emotional intimacy upon sacred lore. Every fold of Yashoda's rich blue and green drapery, the gleam of golden ornaments, and the calm gaze of the sacred cow elevate this humble pastoral scene into a transcendent expression of divine motherly affection.
Open the viewer →