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Yoginis and Krishna

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कीगै कहा जुपै लोग चवाब सदा

Keegai Kaha Jupai Log Chawab Sada

Raskhan
1 min read 2 versesBraj

2 verses · ~1 min

कीगै कहा जुपै लोग चवाब सदा करिबो करि हैं बृज मारो। सीत न रोकत राखत कागु सुगावत ताहिरी गाँव हारो।

आवरी सीरी करै अंतियां रसखान धनै धन भाग हमारौ। आवत हे फिरि आज बन्यो वह राति के रास को नायन हारौ।

इति

Raskhan

The Poet

रसखान

Raskhan

1548 · 1628

Syed Ibrahim, who adopted the pen name Raskhan, represents one of the most beautiful spiritual transformations in the history of Indian literature. Born in the sixteenth century to a wealthy Muslim family, he experienced a profound awakening upon encountering the devotion of the Vaishnava tradition. He abandoned his worldly privileges, relocated to the sacred town of Vrindavan, and spent the rest of his life entirely consumed by a fierce, ecstatic love for Lord Krishna. Composing in Braj Bhasha, he authored verses that capture the divine playfulness of Krishna with unparalleled tenderness. His poetry transcends all religious boundaries, proving that ultimate devotion recognizes no rigid theology. Today, his couplets are recited with deep reverence in Hindu temples across the country. Raskhan stands as an eternal symbol of pure, unconditioned love, demonstrating that the divine can be accessed by anyone possessing a truly surrendered heart.

Yoginis and Krishna

Paired Painting

Yoginis and Krishna

This exquisite miniature transports us into a lush, liminal landscape where the divine manifests amidst the mysteries of the forest. Lord Krishna, seated serenely upon a verdant hill, watches over a scene that bridges the gap between the mundane and the supernatural. Below him, yoginis are depicted in various states of ritual observance, their presence suggesting a profound meditation on the nature of reality and the soul. The dark, brooding clouds above signal the approach of a monsoon, heightening the emotional charge of the encounter. As a viewer, one feels the hushed reverence of the setting, where every tree, animal, and human figure serves as a contemplative marker in a sacred geography. It is a masterpiece of storytelling, capturing the intimacy of the spiritual journey and the boundless grace of the divine protector.

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