2 verses · ~1 min
गाई दहाई न या पे कहूँ, नकहूँ यह मेरी गरी, निकस्थौ है। धीर समीर कालिंदी के तीर, टूखरयो रहे आजु ही डीठि परयो है।
जा रसखानि विलोकत ही सरसा ढरि, रांग सो आग दरयो है। गाइन घेरत हेरत सो पंट फेरत टेरत, आनी अरयो है।
इति
The Poet
रसखान
Raskhan
1548 · 1628
Syed Ibrahim, who adopted the pen name Raskhan, represents one of the most beautiful spiritual transformations in the history of Indian literature. Born in the sixteenth century to a wealthy Muslim family, he experienced a profound awakening upon encountering the devotion of the Vaishnava tradition. He abandoned his worldly privileges, relocated to the sacred town of Vrindavan, and spent the rest of his life entirely consumed by a fierce, ecstatic love for Lord Krishna. Composing in Braj Bhasha, he authored verses that capture the divine playfulness of Krishna with unparalleled tenderness. His poetry transcends all religious boundaries, proving that ultimate devotion recognizes no rigid theology. Today, his couplets are recited with deep reverence in Hindu temples across the country. Raskhan stands as an eternal symbol of pure, unconditioned love, demonstrating that the divine can be accessed by anyone possessing a truly surrendered heart.
Paired Painting
Krishna Embracing Radha
In this tender scene, we witness the divine union of Krishna and Radha, captured through the masterful lens of Raja Ravi Varma. The image is a testament to the artist's mission to bridge the gap between sacred classical themes and the accessible medium of print. As the lovers share a private moment by the water, the composition evokes the deep, eternal longing of the Bhakti tradition. Ravi Varma imbued these figures with a gentle humanity, making the transcendental love between the deity and his devotee feel intimate, tangible, and profoundly moving for every soul who views it.
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