
3 verses · ~1 min
उत्तर दक्षिण पूरब पश्चिम जिधर भी देखूं मैं अंधकार अंधकार अँधेरे में जो बैठे हैं नज़र उन पर भी कुछ डालो अरे ओ रौशनी वालो बुरे इतने नहीं हैं हम जरा देखो हमे भालो अरे ओ रौशनी वालो
कफ़न से ढँक कर बैठे हैं हम सपनो की लाशो को जो किस्मत ने दिखाए देखते हैं उन उन तमाशों को हमे नफरत से मत देखो जरा हम पर रहम खालो अरे ओ रौशनी वालो
हमारे भी थे कुछ साथी हमारे भी थे कुछ सपने सभी वो राह में छूटे वो सब रूठे जो थे अपने जो रोते हैं कई दिन से जरा उनको भी समझा लो अरे ओ रौशनी वालो अँधेरे में जो बैठे हैं नज़र उन पर भी कुछ डालो अरे ओ रौशनी वालो
इति
The Poet
प्रदीप
Kavi Pradeep
1915 · 1998
Kavi Pradeep possessed a voice that became the emotional anchor of a newly independent nation. Born Ramchandra Narayanji Dwivedi in 1915 in Badnagar, Madhya Pradesh, he chose the pen name Pradeep and devoted his literary life to the cause of Indian freedom and national unity. He did not write poetry for elite literary circles. He wrote for the soldier, the farmer, and the ordinary citizen. When the 1962 war with China left the nation shattered, Pradeep penned the immortal lyrics of Aye Mere Watan Ke Logo. Sung by Lata Mangeshkar, this song famously moved Prime Minister Jawaharlal Nehru to tears and permanently enshrined Pradeep in the hearts of millions. Throughout his career, he wrote over seventeen hundred songs and poems, including the defiant anti colonial anthem Door Hato Ae Duniya Walo. Recognizing his monumental contribution, the government honored him with the title of Rashtrakavi and the prestigious Dada Saheb Phalke Award. He passed away in 1998, but his words continue to define the purest essence of Indian patriotism. He proved that a single song can heal the wounds of an entire country.

Paired Painting
Dussasana Humiliating Draupadi
This profound and emotionally devastating scene captures one of the darkest trials in the Mahabharata. Dussasana, blinded by arrogance and the cruel orders of Duryodhana, drags the noble queen Draupadi by her hair into the royal assembly. The artwork portrays a moment of immense vulnerability yet unwavering spiritual fortitude, as Draupadi clutches her garments in despair while onlookers watch in silent horror or complicit cruelty. The visual composition breathes life into the eternal struggle between adharma and dharma, evoking deep sorrow for the plight of the queen and boundless reverence for her ultimate divine protection.
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