3 verses · ~1 min
रे मन, समझ मौज़ूद सच!
इस आन्तरिक भूचाल में रस-गंध की मत बात कर झरते हुए दिक्काल में । उद्दीपनों की बाढ़ से कुछ और बच कुछ और बच ।
ये रंगीली-उजली हवा सब कुछ उड़ा ले जाएगी जितना बचे उतना बचा । अवशेष से आरम्भ कर कोई नई अल्पना रच!
इति
The Poet
ओम प्रभाकर
Om Prabhakar
1935 · 2005
Om Narayan Awasthi, known to the literary world as Om Prabhakar, was born in 1941. He carved a unique space for himself by moving fluidly across the boundaries of Hindi poetry, Urdu ghazals, and critical literature. While many poets confined themselves to a single tradition, Prabhakar merged the lyricism of the ghazal with the grounded vocabulary of modern Hindi verse. His writing acts as a quiet rebellion against political apathy and social decay. Rather than relying on loud sloganeering, his poems and ghazals use understated irony to expose the contradictions of contemporary life. He also produced significant literary criticism, including works analyzing major figures like Mohan Rakesh. His verses speak directly to the ordinary individual navigating an increasingly fragmented society. He stands as a bridge between the classical poetic heritage and the urgent realities of the modern Indian experience.
Paired Painting
Saraswati
In this ethereal composition, Nandalal Bose captures the very essence of the Goddess of Wisdom, Saraswati. She stands poised upon a blooming lotus, her form imbued with a rhythmic grace that mirrors the celestial melodies of her veena. The work reflects a mastery of the Bengal School style, utilizing soft washes and delicate lines to create a sense of transcendental calm. Bose rejects heavy realism in favor of a spiritual linearity rooted in ancient traditions. Every element, from the undulating stems of the lotuses to the gentle tilt of her head, speaks to a deep reverence for the sacred. This work is not merely a depiction of a deity: it is a visual prayer, an invitation to the viewer to find silence and clarity within the divine vibration of sound.
Open the viewer →