
लौटना पड़ेगा फिर-फिर घर
Loutna Padega Phir Phir Ghar
Dhananjay Singh
5 verses · ~13 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI

5 verses · ~1 min
जैसे-जैसे घर नियराया।
बाहर बापू बैठे दीखे लिए उम्र की बोझिल घड़ियाँ। भीतर अम्माँ रोटी करतीं लेकिन जलती नहीं लकड़ियाँ।
कैसा है यह दृश्य कटखना मैं तन से मन तक घबराया।
दिखा तुम्हारा चेहरा ऐसे जैसे छाया कमल-कोष की। आँगन की देहरी पर बैठी लिए बुनाई थालपोश की।
मेरी आँखें जुड़ी रह गईं बोलों में सावन लहराया।
इति
The Poet
Om Prabhakar
1935 · 2005
Om Narayan Awasthi, known to the literary world as Om Prabhakar, was born in 1941. He carved a unique space for himself by moving fluidly across the boundaries of Hindi poetry, Urdu ghazals, and critical literature. While many poets confined themselves to a single tradition, Prabhakar merged the lyricism of the ghazal with the grounded vocabulary of modern Hindi verse. His writing acts as a quiet rebellion against political apathy and social decay. Rather than relying on loud sloganeering, his poems and ghazals use understated irony to expose the contradictions of contemporary life. He also produced significant literary criticism, including works analyzing major figures like Mohan Rakesh. His verses speak directly to the ordinary individual navigating an increasingly fragmented society. He stands as a bridge between the classical poetic heritage and the urgent realities of the modern Indian experience.

Paired Painting
Woman with Water Pot
In this tender study, Raja Ravi Varma captures the essence of rural Indian life with profound dignity. The woman stands with a graceful poise, holding a modest water vessel, her gaze meeting the viewer with an unspoken quietude. She embodies the timeless spirit of the village maiden, a recurring motif in the artist's exploration of traditional feminine archetypes. Varma uses his mastery of light to illuminate her soft features, elevating a simple daily task into a moment of sublime beauty. Through his brush, he bridges the gap between the classical traditions of European portraiture and the heartfelt narratives of the Indian soil.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Ghar Niyaraya carries.