
ख़ून की होली जो खेली
Khoon Ki Holi Jo Kheli
Suryakant Tripathi 'Nirala'
7 verses · ~17 lines · 1 min
№ MMXXVI
RACHNA · A LIVING ARCHIVE
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MM · XXVI
1 verses · ~1 min
(गीत) बादल, गरजो!-- घेर घेर घोर गगन, धाराधर जो! ललित ललित, काले घुँघराले, बाल कल्पना के-से पाले, विद्युत-छबि उर में, कवि, नवजीवन वाले! वज्र छिपा, नूतन कविता फिर भर दो:-- बादल, गरजो! विकल विकल, उन्मन थे उन्मन, विश्व के निदाघ के सकल जन, आये अज्ञात दिशा से अनन्त के घन! तप्त धरा, जल से फिर शीतल कर दो:-- बादल, गरजो!
इति
The Poet
Suryakant Tripathi 'Nirala'
1899 · 1961
Suryakant Tripathi Nirala lived in the permanent condition of the truly original. He was frequently misunderstood by the very world he transformed. Born in Bengal but claiming Hindi as the medium of his revolution, he dismantled the metrical structures of classical Sanskrit based verse. He introduced what he called mukta chhand, or free verse, into a tradition that had never encountered it and was not at first grateful. His life was a sustained encounter with catastrophe. The plague took his wife, daughter, and brother in the same brutal sweep. Poverty pressed against him without mercy, and critical misunderstanding sometimes shaded into deliberate cruelty. Yet from within this suffering, he produced verse of such concentrated and terrible beauty that it reads not as the product of a broken man, but as the testimony of a spirit that had gone through fire and returned with the fire still alive inside it. His epic Ram Ki Shakti Puja remains one of the supreme poems in the Hindi language. It is a profound meditation on doubt, divine abandonment, and the final trembling choice to go on fighting. Nirala was not a comfortable figure, nor was he praised sufficiently in his lifetime. But he was, in the most absolute sense, free. That freedom cost him everything and produced everything. He remains the patron saint of the uncompromising.
Paired Painting
Varaha emerging from a heap of rocks
This exquisite rendering captures the profound moment of Varaha, the boar incarnation of Lord Vishnu, manifesting from the primordial earth. It reflects a period where traditional Indian artistry met the descriptive curiosity of the Company era, resulting in works that serve as both spiritual icons and ethnographic documentation. The artist displays a delicate hand in balancing the divine authority of the deity with a rhythmic, almost stylized geometry of the rocks beneath him, reminding us of the eternal power Vishnu holds over the chaotic depths of the cosmic ocean.
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If this held you
Chosen for their rasa and their register, not their popularity. Each one carries some part of what Utsah carries.