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4 verses · ~1 min
खेलूँगी कभी न होली उससे जो नहीं हमजोली ।
यह आँख नहीं कुछ बोली, यह हुई श्याम की तोली, ऐसी भी रही ठठोली, गाढ़े रेशम की चोली-
अपने से अपनी धो लो, अपना घूँघट तुम खोलो, अपनी ही बातें बोलो, मैं बसी पराई टोली ।
जिनसे होगा कुछ नाता, उनसे रह लेगा माथा, उनसे हैं जोडूँ-जाता, मैं मोल दूसरे मोली
इति
The Poet
सूर्यकांत त्रिपाठी "निराला
Suryakant Tripathi 'Nirala'
1899 · 1961
Suryakant Tripathi Nirala lived in the permanent condition of the truly original. He was frequently misunderstood by the very world he transformed. Born in Bengal but claiming Hindi as the medium of his revolution, he dismantled the metrical structures of classical Sanskrit based verse. He introduced what he called mukta chhand, or free verse, into a tradition that had never encountered it and was not at first grateful. His life was a sustained encounter with catastrophe. The plague took his wife, daughter, and brother in the same brutal sweep. Poverty pressed against him without mercy, and critical misunderstanding sometimes shaded into deliberate cruelty. Yet from within this suffering, he produced verse of such concentrated and terrible beauty that it reads not as the product of a broken man, but as the testimony of a spirit that had gone through fire and returned with the fire still alive inside it. His epic Ram Ki Shakti Puja remains one of the supreme poems in the Hindi language. It is a profound meditation on doubt, divine abandonment, and the final trembling choice to go on fighting. Nirala was not a comfortable figure, nor was he praised sufficiently in his lifetime. But he was, in the most absolute sense, free. That freedom cost him everything and produced everything. He remains the patron saint of the uncompromising.
Paired Painting
Portrait of a Lady
Raja Ravi Varma was a luminary who bridged the divide between traditional Indian iconography and Western academic realism. His paintings, often depicting elegant women in their cultural splendor, serve as a testament to the grace and dignity of the Indian noblewoman during the late nineteenth century. In this piece, the soft gaze and the intricate adornment (from the gold coins of the necklace to the delicate nose ring) invite the viewer to witness a moment of quiet reflection, suspended in time by the artist's masterful brushwork.
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