
ShringaraBeginner
होश वालों को ख़बर क्या बेख़ुदी क्या चीज़ है
Hosh Walon Ko Khabar Kya Bekhudi Kya Cheez Hai
Nida Fazli4 verses · ~1 min
होश वालों को ख़बर क्या बेख़ुदी क्या चीज़ है इश्क़ कीजे फिर समझिए ज़िन्दगी क्या चीज़ है
उन से नज़रें क्या मिली रोशन फिजाएँ हो गईं आज जाना प्यार की जादूगरी क्या चीज़ है
ख़ुलती ज़ुल्फ़ों ने सिखाई मौसमों को शायरी झुकती आँखों ने बताया मयकशी क्या चीज़ है
हम लबों से कह न पाये उन से हाल-ए-दिल कभी और वो समझे नहीं ये ख़ामोशी क्या चीज़ है
इति
The Poet
निदा फ़ाज़ली
Nida Fazli
1938 · 2016
Nida Fazli occupied a space where the profound melancholies of Urdu literature met the spiritual philosophy of the Indian soil. Born in 1938 in Gwalior, he suffered the deep trauma of the partition when his family migrated to Pakistan. He chose to stay behind in India, a decision that infused his poetry with a permanent sense of yearning and existential loneliness. Fazli refused to write in the heavily Persianized vocabulary of traditional Urdu circles. Instead, he used the spoken, everyday language of the streets to explore complex human emotions and universal truths. His film lyrics elevated mainstream cinema, turning simple melodies into deep philosophical inquiries. Honored with the Sahitya Akademi Award and the Padma Shri, he passed away in 2016. He remains a poet who taught readers that true spirituality lies in recognizing the shared sorrow of humanity.

Paired Painting
Lovers on a Couch
This exquisite watercolor by M. V. Dhurandhar invites us into a quiet, deeply personal moment of courtship and intimate conversation. A young man, resplendent in a finely draped turban and traditional finery, leans forward on a cushioned Victorian couch, gazing intently into the eyes of his beloved. She rests gracefully in a rich, dark sari, her posture relaxed yet attentive, framed by the gentle clutter of domestic elegance: including musical instruments like the tanpura and tabla, a plate of fresh fruit, and traditional vessels. Dhurandhar bridges Western academic realism with Indian sensibilities, capturing not just a visual likeness, but the quiet poetry of shared glances, unspoken emotions, and the tender intimacy of human connection.
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