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Vilaval Ragini: Folio from a Ragamala Series

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वसंत गीत

Vasant Geet

Gopal Singh Nepali
1 min read 4 versesSpringBeautyFlute

4 verses · ~1 min

ओ मृगनैनी, ओ पिक बैनी, तेरे सामने बाँसुरिया झूठी है! रग-रग में इतना रंग भरा, कि रंगीन चुनरिया झूठी है!

मुख भी तेरा इतना गोरा, बिना चाँद का है पूनम! है दरस-परस इतना शीतल, शरीर नहीं है शबनम! अलकें-पलकें इतनी काली, घनश्याम बदरिया झूठी है!

रग-रग में इतना रंग भरा, कि रंगीन चुनरिया झूठी ह! क्या होड़ करें चन्दा तेरी, काली सूरत धब्बे वाली! कहने को जग को भला-बुरा, तू हँसती और लजाती! मौसम सच्चा तू सच्ची है, यह सकल बदरिया झूठी है!

रग-रग में इतना रंग भरा, कि रंगीन चुनरिया झूठी है!

इति

Gopal Singh Nepali

The Poet

गोपाल सिंह नेपाली

Gopal Singh Nepali

1911 · 1963

Gopal Singh Nepali lived a life divided between the quiet beauty of nature and the demanding glare of the Hindi film industry. Born in 1911 in Bettiah, Bihar, he emerged as a prominent voice in the post Chhayavaad era of Hindi poetry. Collections like Umang and Panchhi captured a profound love for the natural world, freedom, and the Himalayan landscapes. However, financial struggles eventually pushed him toward Mumbai, where he achieved tremendous success as a lyricist. He wrote roughly three hundred songs for over fifty films, crafting immortal melodies that blended high poetic dignity with popular appeal. During the national crisis of 1962, he wrote stirring patriotic verses that roused the conscience of the nation. Yet, despite his massive contributions to literature and cinema, the literary establishment often treated him with undeserved neglect. He passed away suddenly at the Bhagalpur railway station in 1963, completely unrecognized in his final moments. His life stands as a poignant reminder of the heavy price often paid by independent artists.

Vilaval Ragini: Folio from a Ragamala Series

Paired Painting

Vilaval Ragini: Folio from a Ragamala Series

This exquisite folio belongs to a dispersed Ragamala, or garland of musical modes, capturing the romantic longing and joyful anticipation embodied by Vilaval Ragini. In the traditional Indian system of classical music, ragas and raginis are personified as divine musical entities evoking specific moods, times of day, and emotional landscapes. Here, a radiant heroine prepares for her beloved, gazing admiringly at her reflection in a small mirror held by an attendant, while another companion stands ready with a peacock feather fan. The architectural setting glows with vibrant hues, creating an intimate sanctuary where human devotion and musical harmony merge seamlessly into a profound visual prayer.

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