4 verses · ~1 min
जीवन की बगिया महकेगी, लहकेगी, चहकेगी खुशियों की कलियाँ झूमेंगी, झूलेंगी, फूलेंगी जीवन की बगिया...
वो मेरा होगा, वो सपना तेरा होगा मिलजुल के माँगा, वो तेरा मेरा होगा जब जब वो मुस्कुराएगा, अपना सवेरा होगा... थोड़ा हमारा थोड़ा तुम्हारा, आयेगा फिर से बचपन हमारा जीवन की बगिया...
हम और बंधेंगे, हम तुम कुछ और बंधेंगे होगा कोई बीच, तो हम तुम और बंधेंगे बांधेगा धागा कच्चा, हम तुम तब और बंधेंगे... थोड़ा हमारा थोड़ा तुम्हारा आयेगा फिर से बचपन हमारा जीवन की बगिया...
मेरा राजदुलारा, वो जीवन प्राण हमारा फूलेगा एक फूल, खिलेगा प्यार हमारा दिन का वो सूरज होगा, रातों का चांद सितारा... थोड़ा हमारा थोड़ा तुम्हारा आयेगा फिर से बचपन हमारा जीवन की बगिया...
इति
The Poet
गोपालदास "नीरज
Gopaldas 'Neeraj'
1925 · 2018
If Hindi poetry possessed a single voice that could dissolve the boundary between the written word and the sung breath, that voice belonged to Gopaldas Neeraj. He moved with rare and uncanny fluency between the high courts of literary poetry and the golden studios of Hindi cinema. Writing film lyrics in the 1960s and 1970s, he achieved something almost impossible by ensuring his songs carried genuine philosophical weight while remaining luminous with melody. His songs for films like Mera Naam Joker and Nai Umar Ki Nai Fasal did not condescend to their popular medium, but rather elevated it entirely. Neeraj understood with the instinct of a true artist that the deepest questions of human existence, the nature of time, the certainty of loss, and the strange beauty of impermanence are not the exclusive property of the academy. They belong to the weeping widow, the dreaming young man, and the farmer watching rain fall on dry earth. Born in Puravali in 1925, he lived until 2018. Through nine full decades, he carried the gift of making the philosophical feel personal and the personal feel universal. He was that rarest of things, a poet whom both the scholar and the ordinary listener claimed as their own.
Paired Painting
Sita Swayamvar
In this momentous scene from the Ramayana, Prince Rama stands at the center of the court of King Janaka. The tension is palpable as he lifts the heavy celestial bow of Shiva, a feat required to win the hand of Princess Sita. Raja Ravi Varma captures the intersection of divine grace and human valor: he portrays the young prince with effortless poise while onlookers watch in a mixture of awe and anticipation. This work served as a bridge between traditional Indian iconography and Western academic realism, effectively bringing the ancient epics into the living spaces of countless families across the subcontinent.
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