№ MMXXVI

RACHNA · A LIVING ARCHIVE

Rachna by M.

Loading the archive

MM · XXVI

Canvas
Lady in the Moonlight

Shringara

रह-रह कर आज साँझ मन टूटे

Rah-Rah Kar Aaj Sanjh Man Tute

Naresh Saxena
1 min read 4 versesसाँझचाँदमौन

4 verses · ~1 min

रह-रह कर आज साँझ मन टूटे- काँचों पर गिरी हुई किरणों-सा बिछला है तनिक देर को छत पर हो आओ चाँद तुम्हारे घर के पिछवारे निकला है ।

प्रश्नों के अन्तहीन घेरों में बँध कर भी चुप-चुप ही रह लेना सारे आकाश के अँधेरों को अपनी ही पलकों पर सह लेना आओ, उस मौन को दिशा दे दें जो अपने होठों पर अलग-अलग पिघला है ।

अनजाने किसी गीत की लय पर हाथ से मुंडेरों को थपकाना मुख टिका हथेली पर अनायास डूब रही पलकों का झपकाना सारा का सारा चुक जाएगा अनदेखा करने का ऋण जितना पिछला है ।

तनिक देर को छत पर हो आओ चाँद तुम्हारे घर के पिछवारे निकला है ।

इति

Naresh Saxena

The Poet

नरेश सक्सेना

Naresh Saxena

1939 · 2001

Naresh Saxena holds a singular and fascinating position in contemporary Hindi literature as a man who brought the exactitude of science into the heart of poetry. Born in 1939 in Gwalior and trained as an engineer, he did not publish his first poetry collection, Samudra Par Ho Rahi Hai Baarish, until he was sixty one years old. Yet, his literary presence had already been firmly established through decades of publication in prestigious journals. Saxena writes with a unique physiological and environmental awareness. He constructs his poems not out of abstract romanticism, but from the physical mechanics of the natural world and the complex realities of modern survival. His language is spare, precise, and completely devoid of unnecessary ornamentation. Alongside his poetry, he is an acclaimed playwright whose drama Aadmi Ka Aa has been staged thousands of times, and a filmmaker who won a National Film Award for his directorial work. He demonstrates that a poet does not need to abandon the rational world to understand the human soul.

Lady in the Moonlight

Paired Painting

Lady in the Moonlight

Open the viewer →

If this held you

Four more, in the same key.

Chosen for their rasa and their register, not their popularity. Each one carries some part of what Rah-Rah Kar Aaj Sanjh Man Tute carries.