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Rama Breaks the Bow

ShantaIntermediate

पीछे छूटी हुई चीजें

Pichhe Chhuti Hui Chizein

Naresh Saxena
1 min read 3 versesMemorySilenceRegret

3 verses · ~1 min

बिजलियों को अपनी चमक दिखाने की इतनी जल्दी मचती थी कि अपनी आवाजें पीछे छोड़ आती थीं आवाजें आती थीं पीछा करतीं अपनी गायब हो चुकी बिजलियों को तलाशतीं

टूटते तारों की आवाजें सुनाई नहीं देतीं वे इतनी दूर होते हैं कि उनकी आवाजें कहीं राह में भटक कर रह जाती हैं हम तक पहुँच ही नहीं पातीं

कभी-कभी रातों के सन्नाटे में चौंक कर उठ जाता हूँ सोचता हुआ कि कहीं यह सन्नाटा किसी ऐसी चीज के टूटने का तो नहीं जिसे हम हड़बड़ी में बहुत पीछे छोड़ आए हों!

इति

Naresh Saxena

The Poet

नरेश सक्सेना

Naresh Saxena

1939 · 2001

Naresh Saxena holds a singular and fascinating position in contemporary Hindi literature as a man who brought the exactitude of science into the heart of poetry. Born in 1939 in Gwalior and trained as an engineer, he did not publish his first poetry collection, Samudra Par Ho Rahi Hai Baarish, until he was sixty one years old. Yet, his literary presence had already been firmly established through decades of publication in prestigious journals. Saxena writes with a unique physiological and environmental awareness. He constructs his poems not out of abstract romanticism, but from the physical mechanics of the natural world and the complex realities of modern survival. His language is spare, precise, and completely devoid of unnecessary ornamentation. Alongside his poetry, he is an acclaimed playwright whose drama Aadmi Ka Aa has been staged thousands of times, and a filmmaker who won a National Film Award for his directorial work. He demonstrates that a poet does not need to abandon the rational world to understand the human soul.

Rama Breaks the Bow

Paired Painting

Rama Breaks the Bow

This profound work captures a pivotal moment of destiny from the Ramayana, where the youthful Prince Rama draws the divine bow of Shiva. In this sacred instant, the tension of the string mirrors the weight of dharma, as Rama proves his celestial nature to the gathered assembly. Raja Ravi Varma masterfully imbues the scene with a sense of quiet grace, anchoring the divine within a recognizable, human architecture, and inviting the viewer to witness the transition from human prince to the prophesied hero of the ages.

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