Canvas
Rama, Sita, and Lakshmana in the Jungle

KarunaIntermediate

इस बारिश में

Is Barish Me

Naresh Saxena
1 min read 4 versesFarmersRainPoverty

4 verses · ~1 min

जिसके पास चली गयी मेरी ज़मीन उसी के पास अब मेरी बारिश भी चली गयी

अब जो घिरती हैं काली घटाएं उसी के लिए घिरती है कूकती हैं कोयलें उसी के लिए उसी के लिए उठती है धरती के सीने से सोंधी सुगंध

अब नहीं मेरे लिए हल नही बैल नही खेतों की गैल नहीं एक हरी बूँद नहीं तोते नहीं, ताल नहीं, नदी नहीं, आर्द्रा नक्षत्र नहीं, कजरी मल्हाहर नहीं मेरे लिए

जिसकी नहीं कोई जमीन उसका नहीं कोई आसमान।

इति

Naresh Saxena

The Poet

नरेश सक्सेना

Naresh Saxena

1939 · 2001

Naresh Saxena holds a singular and fascinating position in contemporary Hindi literature as a man who brought the exactitude of science into the heart of poetry. Born in 1939 in Gwalior and trained as an engineer, he did not publish his first poetry collection, Samudra Par Ho Rahi Hai Baarish, until he was sixty one years old. Yet, his literary presence had already been firmly established through decades of publication in prestigious journals. Saxena writes with a unique physiological and environmental awareness. He constructs his poems not out of abstract romanticism, but from the physical mechanics of the natural world and the complex realities of modern survival. His language is spare, precise, and completely devoid of unnecessary ornamentation. Alongside his poetry, he is an acclaimed playwright whose drama Aadmi Ka Aa has been staged thousands of times, and a filmmaker who won a National Film Award for his directorial work. He demonstrates that a poet does not need to abandon the rational world to understand the human soul.

Rama, Sita, and Lakshmana in the Jungle

Paired Painting

Rama, Sita, and Lakshmana in the Jungle

This delicate masterpiece captures the poignant exile of Prince Rama, his devoted wife Sita, and his loyal brother Lakshmana as they traverse the Dandaka forest. The artist portrays the trio in traditional forest attire, crafted from leaves and bark, which signifies their humble renunciation of royal comforts. The landscape is depicted with tender lyricism, where the winding river and flowering trees create a serene backdrop for their divine journey. This painting serves as a spiritual meditation on duty, sacrifice, and the enduring bond of family amidst the unpredictability of the wilderness.

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